Kodak Kodachrome 64 Film (Daylight)

Kodak Kodachrome 64 film works well for general-use photography, including outdoor, travel, and nature shots. Though this film is intended for exposure with daylight or an electronic flash, it can also be exposed to tungsten illumination (3,200 K) when using filters. Color prints, enlargements, duplicate slides, internegatives, and photo CDs can be made from the original slides. This slide film requires a special developing process that is not available at all photo-processing centers.

1 Incredible sharpness & rich, long lasting color!
Hi there, I am 25 years old photographer and a relatively new Kodachrome user. My interest in this unique color slide film comes from the fact that I discovered boxes of my great grand father's Kodachrome slides that still look like they were shot yesterday. It was an incredible discovery that started it all. Then, I bought a roll of film, took pictures, sent it to the Kodachrome processing lab (Dwayne's Photo in Kansas). When I got the film back I was really impressed of what I saw. My slides are sharp with very beautiful color. The Kodachrome's blue sky is the most beautiful blue sky I have ever seen. The reds are so deep and vibrant and , oh.. those yellows! They're colors to die for! I also discover that this film produces the most realistic skin tones than other slide films I have ever worked with. In conclusion, this is a legendary film that Kodak Company should be proud of. Cheers!

2 Still sets the standard
Everytime I am tempted to go to a higher film speed, I look back at the slides this film has given me over the decades and stick with this film. And, that is part of it. The film is archival and holds up over the decades. The film has exceedingly fine grain (and as I am archiving my slides by scanning them at 4000 dpi, it enlarges perfectly.) As more and more switch to digital, it is getting harder and harder to find this film, but seeking it out is worth it for those of us who know that film still currently outperforms digital with the proper camera. Waiting for the film to return from processing is worth the wait and I utilize Kodak processing. I utilize a heavy camera which lends stability to hand held shots and I plan to continue to use this film far into the future. It still is the standard against which to compare all other films. I have Kodachrome slides taken over 30 years ago, and the color is still sharp and crisp.

3 The Slide Film That ALL Others Should Be Judged By!
With the cancellation in 2001 of KODACHROME 25, KODAK now offers KODACHROME slide film in only two speeds: 64 and 200. KODACHROME 64 is, in my opinion the one slide film by which all others should be judged.

Unlike other slide films that are developed using E-6 processing and which contain all the color dyes within the film, KODACHROME film stock is actually a black and white film to which the colors are added during developing. This is a much more time consuming, tedious and expensive process, but one that delivers much more natural colors, finer grain and deeper contrast. Using the K-14 process also means that you will have to send all KODACHROME slide film to a national lab. Consequently, it will take about a week or slightly more to get your slides back. But rest assured, the wait is more than worth it!

One of the other intangible benefits of using KODACHROME slide film is that retains archival storage abilities. There are slides available for viewing that were taken in the early 1930s, when KODAK first released this emulsion that look as if they were shot yesterday. There is no noticeable color shifting, bleeding or loss of color or contrast.

KODACHROME slide film has long been known for its natural nd lifelike colors. Unlike slide film from FUJI, which is known for super-saturated and eye-popping bright colors, KODACHROME delivers faithful images of what the photographer saw through their viewfinder at the moment they clicked the shutter.

In addition, lesser slide films, but especially those from FUJI have been known to color shift while in storage. This takes place even when the photographer made every effort to properly store his/her slides.

Because this is a moderately slow speed film, it is best suited for bright daylight. Many professional photographers use this film for landscape and scenic photos and for shots that will be enlarged, such as in full page photos for books and magazines. This is a very fine grain film and that is why pros use it so frequently - they need to be able to ensure that the colors transition crisply and faithfully from the slide to the page of the book or magazine. And the fine grain is also helpful should you want to enlarge the image to poster size and beyond.

Unfortunately for the average consumer who shoots slide film, KODACHROME is not readily available through major retail outlets. A truly professional film, it is generally only available at camera stores and stores that support and cater to professional photographers. At the store in Parsippany, NJ where I have most of my lab work done and where I have bought almost all of my Nikon cameras and lenses, even they don't sell KODACHROME. The reason? They don't get enough customers asking for it.

Instead, they sell some of the EKTACHROME line of Kodak slide films as well as Fuji's Provia, Velvia and Sensia films. They also offer Agfa professional slide films. Consequently, I have to hunt aroun d for this film or order it online from such places as B&H Photo and Video in NYC.

As inconvenient as finding it and having it developed can be, I still LOVE THIS FILM!!! It is my belief that KOPDACHROME 64 offers the finest grained and sharpest images available anywhere today in the photographic world.

Friends and strangers wwho have watched me work with my NIKON F100 often ask me when I'll switch to digital and give up on film. I look at them and smile and tell them that I'll switch to digital when that medium offers me the sharpness, contrast, depth and overall pleasing color saturation of KODACHROME 25. Since KODAK discontinued that film in 2001 and its resolving characteristics were in the 30-35 megapixel range and there isn't a digital camera available anywhere with that degree of resolution, I'll be shooting film for a long time to come.

Shooting slides isn't for everybody. Slide film is much less forgiving of exposure errors than equivalent speed print films. But slides are more realistic and they are sharper and clearer. That is why KODACHROME 64 appeals to purists who like to receive exact duplicates of what they saw when they composed their pictures.

Competing slide films don't really come close to matching this wonderful long-lived KODAK product. Kodak has stumbled with other films, most noticeably with KODAK MAX 400 and 800, but with KODACHROME 64, they have created an enduring masterpiece.

4 Well worth the wait for developing
An incredible film for nature and scenic photos. Color reproduction is extremely accurate and images are pin-sharp. The color dyes are not in the emulsion of the film as with other slide films but are added during developing and as a result are much more permanent. Have viewed Kodachromes from 50 years ago that look like they just came back from the lab. The colors just don't fade nearly as fast as other slide and negative films. They have to be sent away to a national lab for developing which takes a week or so but is very much worth it. Most large photofinishing companies and professional labs are set up to send this film out for you. Highest recommendation!

5 Still One Of Kodak's Finest Color Slide Films
Kodachrome 64 is a versatile, fine grain, high contrast color slide film that offers a bit more speed than Kodachrome 25. It offers splendid reproduction of colors; none of the colors are enhanced or souped up. It tends to be better for objects and scenes which have yellow, red or orange colors, though it will still work well with those of other colors, such as green and blue. Although it is among the oldest films in Kodak's color film line, it remains one of its finest, capable of extraordinary high contrast and resolution. For best results, I recommend using a tripod mounted 35mm camera, though it will be fine with a hand held 35mm camera in broad daylight.