Nikon Super CoolScan 5000 ED Film Scanner

The Super Coolscan 5000 ED scanner is loaded with features and benefits designed for a wide range of users, including Applied Science Fiction's Digital ICE4 Advanced technology, Nikon's exclusive Scan Image Enhancer and other one-button-simple solutions. Coolscan scanners can help small or large businesses to streamline their operations and increase productivity while giving home users and hobbyists an affordable solution to revitalize, restore and save precious family memories. Despite the the way digital is dominating today's photography and printing markets, there are still an enormous amount of film images as well as a need for creating high-quality, versatile hi-resolution digital files. In American homes, literally millions of negatives and slides holding precious family memories are wasting away in shoeboxes and attics. A Nikon film scanner is an incredibly useful tool to help unlock the potential of an image and use the advantages of digital to bring that image to life. Greater Efficiency, Increased Profits - The Super Coolscan 5000 ED is designed with the needs of imaging professionals in mind, delivering 135/IX240 film scanning at an amazing 20 seconds per image (including image transfer to display) - at 4,000 dpi optical resolution. This, combined with a 16-bit A/D converter and 16-bit output channel, gives pros the speed and power they need to truly affect the scope of their business.

A high-performance dedicated film scanner designed for imaging professionals, the Super Coolscan 5000 ED offers high-quality scanning of 35mm slides, 35mm film strips, APS film (with optional IX240 film adapter), and prepared slides (with optional medical slide holder). The Scanner-Nikkor ED glass lens offers a 4,000 dpi optical resolution, while the 3,964-pixel, two-line linear CCD image sensor and 16-bit per color A/D input (8-/16-bit output) provide true-to-life, brilliant results.

Nikon's own LED illumination technology ensures accurate color separation with no warm-up time or risk of heat damage. Scan times are as fast as 20 seconds including image transfer to display, and as fast as 11 seconds in preview mode. Automatic color/contrast compensation helps you achieve accurate results, while the ICE4 advanced digital image correction suite of technologies--including digital ICE, digital ROC, digital GEM, and digital DEE--helps to restore old slides to their original glory. Additionally, the included Nikon Scan 4 software provides a comprehensive and easy-to-use interface for managing your scans.

The Super Coolscan 5000 ED has a convenient, plug-and-play USB interface, while one-touch scan and preview buttons will have you scanning film in no time. PC and Mac compatible, the Super Coolscan 5000 ED also comes backed with a one-year limited warranty.

More Features:

Scan Image Enhancer Nikkor ED glass lens

Scan Image Enhancer provides one-touch image correction. Automatic brightness and color saturation adjustments with no complicated control settings make it easy to produce images with optimal contrast. Scanner Nikkor ED glass lens greatly reduces chromatic aberration and image distortion, and delivers sharp images.

What's in the Box
Scanner, CD-ROM, strip film holder FH-3, slide adapter, instructions

1 Beware of Nikon Super CoolScan Slide Feeder
We purchased a Super Coolscan 5000 ED with SF-210 slide feeders, hoping to scan my parents' thousands of Kodak slides. The Super Coolscan worked flawlessly on single slides, but the SF-210 slide feeder simply could not scan more than 2 slides without jamming.

The instruction manual does say that the feeder basically works only with Fuji compatible slide mounts, and warns of problems with Kodak and other mounts - but it's buried in the middle of the manual and you don't find out until you've purchased the producdt. I have been unable to find those restrictions mentioned anywhere inthe literature. At nearly $400 per feeder, I would expect it to work - or at least have the sales literature mention its limitations.

I complained to Nikon, but never even received an email response. I will never buy a Nikon product again.

2 Good scanner but be aware
I've been doing this for some time and have Nikon gear top to bottom. I have the slide feeder and the negative adapter that lets you feed full strips into it. Both work well 90% of the time. I get mis-feeds on the slides from time to time.

You will get a bluish hue on your negatives. I have tried several films and they all yield the same problem. Expect to take some time in Photoshop to correct this problem. I am taking the advice of a poster to alter my color settings to compensate.

Here is the biggest issue with this scanner. PROPERLY exposed slides scan dark. This is with Fuji 50/100/400 and Kodak. This is a known issue and you will see dozens of posts all over about this problem. Flat and dark scans that need to have the analog gain pumped up to compensate. This throws off GEM and ROC and makes the software unusable. It also washes out detail and increases grain. I contacted Nikon and they stated that Fuji has a 4th layer of emulsion that impedes scans. This is not true for slides, there is no 4th layer. End conclusion, there is a problem with the scanner design. Nikon has failed to give a reason why this is occurring other then to point the finger at someone else. If it was just my problem, I would say it was something on my end, but there are dozens of people stating the same thing on many different photo boards.

ROC and GEM are "OK". I would scan clean unless there is an obvious problem with the neg/pos that needs to be addressed. Any time you alter grain or the physical layer of the film you are altering original quality. See what you have first before changing setting across the board.

If you have any questions about this, my AOL-AIM is above as my Amazon username. This would include Nikon if the finally have a reason WHY there are issues. Overall, it's a good scanner. I would buy it again, but at least I would know what to expect and not expect it all as advertised.

3 Works beautifully, although slower than you might expect
I am using this product almost exclusively for slide scanning, so my comments only apply to that aspect of this product.

If you are like me and wondering whether you should suffer through using a consumer level slide scanner or fork out the dough for this one, then the quality this produces when scanning dark slides should be enough to convince you alone. And that's just the beginning. I've used consumer level scanners before and no amount of tweaking or photoshop'ing can match the quality the Coolscan 5000 produces. For professionals, this is of course a no brainer, but for semi-professional folks like me, this is a major investment, and I needed some convincing that it would be worth it. I am now convinced.

Don't put too much stock into the scan times (and feed times for the sf-210 auto feeder). These times are without any Digital ICE, auto exposure, auto focus, etc. However, I have found if you do not use these features, you are wasting your time. After much tweaking to get all the settings such that the final result looked just like the original slide, I am looking at about 1 minute and 30 seconds per slide using the sf-210 (AMD 2.2 Ghz 1GB Ram, scanning at 2000 dpi)

I have found that without tweaking, you get a bluish hue (although a little less so for Kodachrome slides). I have turned red up +20 and blue down +20 (green at 0) and to me, this seems to give the best results (ymmv).

Use the digital ice features!!! They are simply amazing. The dust and scratch removal is phenomenal. The grain removal is also wonderful - and it keeps the picture sharp much more so than using a software filter like those found in Photoshop. Personally, I set the Digital ROC (color restoration and correction) to 0 because it is too unpredictable.

Lastly, use a bright, high quality LCD monitor! You would be amazed at the difference this can make when doing color matching, especially on dark pictures. I was astonished to see the difference.

When you take the above into consideration, this scanner is superb. Plan on spending a few hours getting your settings just right, but after that, sit back and enjoy. I've done 8x10 prints of my slides (scanned at 2000 dpi) that are just beautiful. It is near impossible to match the luminance and beauty of a projected slide, but the Coolscan 5000 does a darn good job.

4 An outstanding, if imperfect, scanner.
First of all, let me say I am a neophyte when it comes to scanning. My mother passed away recently and I wanted to go through my father's 20,000 slides and scan the best ones before they, as many before them, disappeared into the hands of one of my 7 other siblings never to be found again.

After culling my father's slides I ended up with about 750 I wanted to scan. After culling my own slides I ended up with another 200 slides. And after that I decided to go through my color negative collection and scan the best of those as well. A daunting project! But honestly well worth the effort.

Most of my father's slides are Kodachrome. Much has been written about the inability of this scanner to scan Kodachrome slides and said about ICE4 not working with Kodachrome. Well, I have some good news and some bad news. The ICE4 does work, however, inconstantly with Kodachrome slides producing unacceptable artifacts in about 5 - 10 percent of the slides. It is a hit or miss proposition. I scanned with ICE (not ICE4) always on and then rescanned if I encountered unacceptable artifacts. I did notice that the scanner ICE feature was stumped by old Kodachrome slides where subjects were wearing shirts with stripes. Those stripes were really butchered by the ICE feature.

The GEM ROC and DEE (the other stalwarts of the ICE4 other than ICE itself) work on Kodachrome slides as well, but I found that the results were unpredictable and that I could achieve better results myself in Photoshop far more quickly. The GEM ROC and DEE features simply took too long and slowed down the scanning unacceptably. The results, for me, were not worth the additional scanning time.

The good news: The scanner is fast and does produce wonderful wonderful detailed scans, easily demonstrating the grain in the transparancies at 3000 and 4000 dpi. The Kodachrome slides were a challenge to the Dynamic Range of the scanner, but I believe that most of the detail in the shadows that is there was extracted. Unfortunately, Kodachrome, with all of its many attributes, does have substantial downsides including a very narrow exposure latitude and shadow detail is simply lacking. I think the scanner accurately reproduced the information including the colors on the Kodachrome slides, with perhaps a slight bluish cast noticed in some cases.

It wasn't until I was finished scanning all of the culled slides that I undertook to scan my select color negatives. And this scanner really came into its own scanning color negatives. Don't even TRY to scan color negatives without ICE because the results are unbelievably bad. Even pristine negatives have scratches and pit marks that magically are erased by the ICE feature. What a godsend. I only wish it had worked so flawlessly on the Kodachrome slides. The scanned color negatives were just beautiful with very accurate color rendition. But immediately I noticed much more grain in the color negatives (Royal Gold and Fuji Superia Gold) than in the scanned slides.

One note unrelated to the scanner itself. Until you've used a digital scanner to scan your color negatives you can't begin to realize how far superior Kodachrome, Provia, and Ektachrome slides are to color negatives insofar as capturing detail. Even the best color negatives have much more grain that Kodachrome. And the difference in color negatives is substantial too.

The included Nikon software worked fantastic for me. I downloaded a copy of VueScan which according to many reviews is superior to the Nikon software and found that for me the Nikon software was easier to work with and produced superior results.

The software did cause my computer to crash occasionally which was an aggravation, but a minor one when considered against its many attributes.

I can recommend this scanner without reservation. It is a phenomenal piece of equipment.

5 Best 35mm film scanner under $50,000
The previous generation (CS IV and CS 4000) were hard to top, but Nikon did it yet again. Scans are smooth and gorgeous, color accuracy (provided your monitor is calibrated) is unrivaled and the updated ICE4 including DEE are a blessing. In fact the scans are so good that I have started to prefer CS5000 scans from well exposed Fuji Provia 100F or Astia 100F slides than images from a 6MP DSLR. Hard to believe but thats true.

Did I mention scanning speed ? I timed a 4000 DPI scan with digital ICE turned off, on a P4 2.6Ghz with 1 GB ram and USB2. It took 17 seconds from begining to end (excluding autofocus and auto exposure). Thats right. Actually three seconds faster than Nikon's claim of 20 sec. Beat that Minolta.

IMO the next step up can only be a $50K HowTek drum scanner ;)

6 Fantastic, great for Slides!
I am glad I waited to purchase this scanner; it's an updated version with Digital Ice 4, and for A LOT less than the previous model.

I also purchased the automated Slide feeder with this, and it is nothing short of a miracle! The Digital ROC and Digital ICE is unbelievable with old slides, particularly Kodachromes. There are plenty of customizable enhancement settings to keep me busy for a long time.

I use this for business; this scanner will pay for itself with one bulk slide scanning order.

Love it, love it!

Scan Image Enhancer		Nikkor ED glass lens
Scan Image Enhancer provides one-touch image correction. Automatic brightness and color saturation adjustments with no complicated control settings make it easy to produce images with optimal contrast.		Scanner Nikkor ED glass lens greatly reduces chromatic aberration and image distortion, and delivers sharp images.