1 Got to give it two thumbs up!
Everybody was wonderful in this movie! The acting was supurb! The costume design totaly fitted the era. And i have tried to read the book but it's pretty hard! I love the way it's written but i can't get started! This move is sure the best movie of 1995. Emma tompson is very lovely in this movie.
2 Great Cast/Screenplay Makes Beloved Jane Austen Novel Work!
I first saw this movie without reading the book (shame on me), so the movie didn't make much "Sense" to me, although I somewhat understood the plot [and liked the film] but it's always preferable to read the book prior to seeing the movie version (I also did that with Patricia Rozema's excellent adaptation of "Mansfield Park" [how utterly stupid of me], but I'll read the novel, as I have it now, part of "Jane Austen: The Complete Novels"). I saw this movie again on March 12 and...ah, what the hell, read on.
Emma Thompson ("Dead Again," "Much Ado About Nothing") is the screenwriter and star of this excellent adaptation of one of Jane Austen's most beloved works (the others being "Mansfield Park," "Emma" and "Pride And Prejudice"). Recently divorced from Kenneth Branagh, who cast her in his adaptations of William Shakespeare's "Henry V" and "Much Ado About Nothing" (which he directed, produced, wrote for the screen and starred in; see my review on "Much Ado About Nothing" and other Shakespearean adaptations) and "Dead Again" (he only directed and starred in that one), Ms. Thompson agreed to tackle this project as "Jane Austen is my favorite author" when approached by producer Lindsay Doran on the set of "Dead Again" and does an excellent job with the material, such a good job that she was nominated for an Oscar for Best Screenplay (competing against Randall Wallace for Mel Gibson's "Braveheart" [which won Gibson Best Picture and Best Director]) AND WON!! Well deserved, too. Kate Winslet (pre-"Titanic" fame and whose next role would be as Ophelia opposite Kenneth Brangah in the latter's uncut, star-studded 4-hour version of "Hamlet" [see my review on that one and the 1948 version of "Hamlet" starring, produced, text-edited, though he went uncredited, and directed by Sir Laurence Olivier aka The Master Of The Bard and arguably one of the greatest Shakespearean actors who ever lived] as well as prior and watch for upcoming reviews on faithful other versions of William Shakespeare's plays), Hugh Grant, Alan Rickman (fresh off his role as the villainous Sherrif Of Nottingham in Kevin Reynolds' remake [to a certain extent] of the 1938 classic "The Adventures Of Robin Hood" [see my review on it] starring screen legends Errol Flynn and Olivia DeHaviland [whose next project was the equally successful 1939 classic "Gone With The Wind", see my review of the VHS], based on the classic novel of the same name by Margaret Mitchell) play the two potential suitors in this wonderful version, Edward Ferrars and Colonel Brandon, respectively. Greg Wise plays the villainous Willoughby. Imelda Staunton (who two years prior had been cast as Margaret in Kenneth Branagh's "Much Ado About Nothing" and recently won an Oscar for Best Supporting Actress in the drama "Vera Drake") plays Charlotte Palmer. The rest of the cast does a great job in this well-scripted/well-casted film. Ang Lee ("Crouching Tiger, Hidden Dragon") does a fine job directing this period piece. Ms. Thompson should have also brought "Pride And Prejudice" to the screen as well (there's an upcoming version starring Keira Knightley ["Pirates Of The Carribean" see my review on it; sequel coming soon] set to hit theaters this year at the earliest), but it's all well and good. Special features include deleted scenes, Emma Thompson's Golden Globe speech, theatrical trailers and more.
Great cast, terrific screenplay, top-notch acting, beautiful scenery (it was shot in the same locales described so meticulously by Jane Austen in her novel) and good directing make this period piece a movie to treasure for all time. The anamorphic widescreen format enchances the beauty of this great picture even further. Were it not for the "B" word, which is also in the book, this movie would've/should've been rated G. Rated PG for thematic elements.
3 Wonderful movie! My only complaint is....
...that Hugh Grant is the most typecasted actor in the world. He plays the doddering Englishman to perfection, but I am starting to think that's about all he can do. Same character as Notting Hill, Four Weddings and a Funeral,... you get the jist?
Alan Rickman is so fantastic as Colonel Brandon. In the beginning, you can't help but think, "What is that old thing mooning about that young thing for?" But then he just grows on you, and when she cries out for Wiloughby, Wiloughby, you think, "No! Brandon, Brandon!!" He makes the show, as does Emma Thompson's fantastic, if not a bit old, Elinor!
4 I love this movie.
This movie is right on with the book. Although, there is one part in the book where Willougby explains to Elinor why he did what he did to Marianne, and I feel that it should also be in the movie. Other than that the actors and actresses do an absolutely wonderful job and portray the characters as I did in my head before I even saw the movie. Thank you Emma Thompson!
5 Clever Pairing but...
...to be honest, prospective purchasers would be better served by purchasing a copy of the novel and the DVD separately. The book included with the set is very cheaply printed, is often difficult to read because of poor typesetting (facsimile of the original printing?), and doesn't even include a copyright. My suggestion is to find a good-quality paperback (Everyman's is probably fine and is certain to be priced right) that includes critiques, some annotation, and all the other goodies included with contemporary printings of literary classics. There's a reason why Jane Austen has been in print for 200 years, and it's not due to her being a "dead white chick." First-time readers are to be envied.
Austen translates very well to the screen, and this film joins a group of other very enjoyable screen adaptations of her works. The only extras on this disk are a trailer, a commentary (to which I haven't listened), and a few deleted scenes that really would've served no purpose other than disturbing the pace of the film. There are a number of subtitle options, including various Asian languages (perhaps a concession to Ang Lee fans). The print is nice and sharp, and is widescreen but not--unfortunately--anamorphic, the sound is clear, and the soundtrack is beautiful and sparingly utilized.
The movie itself is a joy, and I'm delighted that something of this quality is actually produced these days. It's very true to the spirit, if not the exact letter, of the novel, and contains not one expletive or hint of innuendo (except of manners). Ms. Thompson and Mr. Lee manage to treat us to a consistently engaging slice of Regency life that reminds us that the reason why classics are still read is that they're relevant, ultimately, to the human experience in general. Virtually anyone, regardless of background, can relate to these characters and their situations.
Ignore quibblers who complain that Thompson is too old for the part; these are the same types who'd complain that Mary Martin was too old to play Maria in The Sound of Music. My advice is to always judge a performance, ultimately, as the sum of its parts, which often really is greater than scrutiny of its individual components would indicate. This film is a winner any way you add it up, and is definitely worth owning.
6 not the greatest, but not the worst
Anyone who sees "Pride and Prejudice" first will be disapointed. Not that the film makers didn't stick to the book, they did, and very well. But the plot is no where near as fast paced as the former. I read "Pride and Prejudice" and absolutly loved it, as does everyone who reads it. So I began reading the others. None measure up. But this movie is ok. Despite Hugh Grant's performance, which comes off as being quite immature. Yes, Edward was shy, but he didn't behave like a little boy. Everyone else was perfect for their roles. Especialy Fanny. They did clip out a few chracters, but it is for the best. They would have complicated things too much for a movie. Over all a pretty decent film.
7 Wonderful movie....
Jane Austen's "Sense and Sensibility" is the tale of the 'second' Dashwood family: a mother and three daughters who didn't inherit when the father passed away. The heir swore a deathbed oath to take care of his his step-mother and step-sisters, but his wife, Fanny (I couldn't think of a more appropriate name myself!) talked him out of it at every turn.
The second Dashwood family: Mrs. Dashwood, the mother, Miss Dashwood--aka Eleanor the eldest (Thompson), Marianne (Winslet), and Margaret, are forced to move to a country cottage and fend for themselves on the $500 a year stipend the estate grants them. Of course, in the 1800's they cannot have a career. Further, since they don't have any money for a dowry their matrimonial prospects are not very good, either.
Along the way, Marianne learns some lessons about faith and devotion from Colonel Brandon (Alan Rickman). I'm a huge Rickman fan and this is one of his best performances. You get used to him playing villanous roles and Colonel Brandon hardly seems like him.
Eleanor also discovers Edward Farris (Hugh Grant). I can't say the pair of them give the most spirited performance in the movie, but that's what their characters are about, too.
Overall, beautifully filmed, costumed and acted. "Pride and Prejudice" is still my favorite Austen, but this one's a good close second.
8 Favorite chick movie ever for this guy
Not to sound seriously sexist, but complicated romances are usually the subject of movies geared toward the feminine sensibility, as it were. However, the incredible literacy of the source material, the wonderful performances (even Hugh Grant is delightful here, to say nothing of Thompson, Rickman, and Winslet), and Ang Lee's delicate touch, all make for a perfect film experience, in my opinion. Jane Austen uses this dramatic comedy of manners to explore timeless facets of love, with TWO concurrent romances being pursued against the tides of prudence and social obligation endemic to the class and era. The resolution of both of these romances is breathtakingly dramatic--most especially Thompson's emotional catharsis, which reflexively brings me to tears just thinking about it.
The film also works as a sort of historic speculative fiction--imagine a world, before Freud and Oprah, when the cautious consideration of others' feelings was paramount, rather than the intemperate expressions of one's own. Weird, isn't it?
In short, this is simply my favorite film of its genre ever, perfect in every way.
9 The Bookworm Seal of Approval
This movie is so much fun. Back in the 70s, when I was the only geek girl in high school reading THE LORD OF THE RINGS and all titles by Jane Austen, little did I suspect that anyone would ever make hugely popular movies out of what (at that time) was fare for only the most devoted of bookworms.
The adaptation of this classic author by actor/screenwriter Emma Thompson is superb. However, many of the other reviewers have praised Thompson's brilliance in detail, so instead I'll touch on another favorite feature of mine: the supporting cast.
Remember Siegfried Farnon, the older, robust vet from ALL CREATURES GREAT AND SMALL? His name is Robert Hardy and here he plays the kindly but rambunctious uncle. Somehow, somewhere they found an actress to play his mother who is so like Robert Hardy in looks and personality, you'd swear they were blood relatives. This lively, raucous pair gift the Dashwood sisters and their bereaved mother with a humble cottage when they're left homeless (or, rather, mansionless) by the death of their father. Generous deeds aside, if there's juicy gossip to be had, these two will be sure to "winkle it out of you."
There are too many wonderful supporting roles in this movie filled by excellent actors, so I'll mention just one more. Harriet Walter plays Fanny Dashwood to perfection - the stingy in-law who's gone power-drunk now that her husband has inherited the home and wealth his sisters have just lost. In one pivotal scene, Fanny coaxes the secretly engaged Lucy Steele to spill her romantic secret. "I'm as silent as the grave," says the horrible Fanny, leaning in close to the unsuspecting girl. As she leans, you get the distinct impression she *is* the grave. And all from one look. Harriet Walter plays the villain with a sense of humor about herself that can only be described as delicious.
The title of this story refers to the dispositions of the two older Dashwood sisters. "Sense" is the practical and commonsense Elinor, played by Emma Thompson - the ultra-responsible elder sister who appears not to give in to the longings of her heart. "Sensibility" refers to the demonstrative Miss Marianne, played by Kate Winslet, who wears her heart on her sleeve and pooh-poohs anyone who doesn't. Through a series of misunderstandings, plus a fine collection of hilarious and dramatic incidents, the tables are turned and the sisters walk a mile in one another's shoes.
My husband enjoyed this one as much as I did. And I'm pleased to report that the movie is 100% worthy of the book.
10 Perfection
What else is there to say about this film besides the fact that it is charming, funny, touching and just bloody great!
Emma Thompson penned the flawless screenplay, adapted from Jane Austen's 1811 novel of the same name. The story centres around Elinor and Marianne, two fatherless sisters who have been forced to accept their fate as women unlucky in love and station or can things improve themselves?
* The casting! It is just perfect. It couldn't be bettered: Thompson, Winslet, Rickman, Wise, Grant,Jones were all brilliant, never over-acted but did exactly what was needed to immerse the viewer into the story. One stand out pair of the film is Mr and Mrs Palmer, friends of Col. Brandon, played with wit and humour by Hugh Laurie and Imelda Staunton. They were just hilarious! Kudos has to go to Harriet Walter (Fanny Dashwood) and Imogen Stubbs (Lucy Steele) as well, just great.
* The locations in films are really important for the visual effect and authenticity - S&S doesn't disappoint, showing the stunning English countryside of Devon and Cornwall in Regency times, making it all the more believable.
* Top class period film and another great Austen film adaptation. Shame period films aren't as good as this anymore!
--> Besides the wicked nature of this film, the DVD is very good as well. I am so pleased to see an international range of subtitles ranging from Dutch, Danish,Italian and Swedish amongst others. The deleted scenes, excellent commentaries, interesting trailers and Thompson's funny Golden Globe acceptance speech round off this cool DVD. 'S&S' is one DVD where the distributers FINALLY make the special features complement the film. (NB: In terms of special features, this review refers to the Region 2 DVD)
Well done!
BB
11 The Title Says it All
This is another favorite of mine by Jane Austen The poignant and heartwrenching problems that most of the main characters incur throughout the movie provide a most enthralling and compelling story, yet in the end, the "sensibility" gained by the actors brings the tale to a magnificent and satisfying conclusion for all. Kate Winslet & Alan Rickman are my two favorites in this movie; they both give magnificent performances. I would reccomend this to anyone who enjoys true drama.
12 Gorgeous in every respect.
Lush production value encompasses this flawless film based on the classic Jane Austen novel. Emma Thompson is triumphant both as the title character and as a screenwriter. Her adaptation is beautifully written and loaded with emotional subtleties, as is her performance. Kate Winslet plays her sister in the film, a perfect foil of unrepressed passion to her sister's reserved depth of character. The entire cast is magnificent, for that matter. There are so many different characters entering and exiting the story that there is never any threat of boredom for lack of interesting people. The story itself is actually fairly simple, but it is the people who inhabit this fascinating time and place who both complicate and enhance everything around them. The cinematography is sumptuous, with deep greens and glowing sunshine, misty grays and extravagantly colorful indoor settings. The costumes are gloriously adorned and appropriately designed for the era. The look of this film is fantastic! Then there is director Ang Lee, better known today for his stellar work on "Crouching Tiger, Hidden Dragon." His previous film, "Eat Drink Man Woman," more than hinted at his prowess as a possible international success with "Sense and Sensibility." His work here is outstanding. This film was nominated for 7 Oscars, winning only for Best Adapted Screenplay going to Emma Thompson. Another movie entitled "Braveheart" won Best Picture that year. Other films along similar lines as "Sense and Sensibility" that I recommend highly are "Howard's End," in which Emma Thompson won the Best Actress Oscar but which is inexplicably not available on DVD, and an eccentric gem called "Impromptu," in which she has a smaller role within yet another exceptional cast of actors. Both films are very European, in the best sense of the word. Highly recommended.
13 Absolutely Brilliant
I must admit, being a forty-two year old man, I love to watch football and basketball as much as the next guy. But, when my wife watches this movie, I am right there beside her. Thompson, Rickman and Grant are meant to act with each other. They are brilliant and this story is perfect for them. If you have the opportunity to watch or even buy this movie, you will not be disappointed. The only thing missing is Kenneth Branagh.
I also recommend "Much ado about nothing" with Thompson and Branagh.
14 Emma Thompson was a wonderful Elinor...
I have heard the complaint that Emma Thompson was too old to play Elinor. Incredible! With the abundance of 50+ male actors playing action leads, I find this type of criticism out of place! I liked Thompson's version of Elinor because I have never met an eighteen year old with the good sense that Elinor had. It made sense to have Elinor a little older, because she is so wise, so practical, so insightful that no teenager could possibly display all those things. I felt that this "Elinor" was a close friend. I have always admired the Elinor character from the book because to live life, you can't always say or express what you really feel - it's not expedient. Many times pure emotion makes a bad situation worse. Elinor knew that. She felt all that Marianne felt; however, she knew her actions would adversely affect other people and could worsen the situation. She acted accordingly. She used her head, but she did not lack heart. Thompson conveys all this extremely well. On a scale of 1 to 10, Emma Thompson receives a 10 from me.
Kate Winslet was a tremendous Marianne. Marianne was as an idealist, yet comes to learn that realism too has value. She learns there should be a time for both things in life. Winslet portrayed Marianne's coming of age beautifully. Marianne realizes that more than attraction is needed in marriage; friendship, respect and esteem are what make a person endure through life's hardships; that is what makes a relationship last. This fact was very well presented in Winslet's performance. Another 10.
I enjoyed Hugh Grant's performance as Edward. Grant did not play Edward as a weak man; he played him as a mild, honorable man who had made a bad decision and was paying the consequences of that bad decision. Well done.
I have never seen anything done badly by Alan Rickman yet, and never hope to. His adaption of Colonel Brandon was excellent. He played a man who had faced a great deal of disappointment in life, and yet, was not left bitter by it. When he saw Marianne's idealism, he remembered his idealistic days and loved her for her possession of that quality. I think that's terribly romantic. Rickman did it well.
Imogen Stubbs was excellent as the nasty Lucy Steele. It must have been an incredibly fun part to do! Sly, malicious little devil!
Now about what I didn't agree with in the film. I do not understand why the scene between Willoughby and Elinor during Marianne's illness never takes place in this movie! It's pivotal in the book. It explains so much! Ten minutes should have been added to the movie.
Also, Lady Middleton should have been left in the script. She rounds out the cousins that are well meaning, but difficult to live with. She is also the driving force behind having Lucy stay at the Middleton's country home and bringing Lucy to town.
However, the movie was a very good one and should receive high accolades from all. The casting was excellent, the acting was of high quality, and the direction well done. Buy the movie, it's worth it!
15 Warm, witty, wonderful!
This superbly acted film draws you into the world of the Dashwood sisters and compels you to care for them and their woes and joys. Everything from the scenery, to the costumes to the excellent cast make this a film to view over and over again. It is so engagging that you do not have to be an Austen fan to appreciate it; but if you are an Austen fan, you will appreicate how well the film captures the "feel" of the novel.
I wish I could give it 6 stars.
16 It grows on you
When I first saw this movie after I read the novel, I was disappointed. I know that screenwriters are often forced to leave out scenes and details in adapting a novel--this movie would have to be a mini-series if Emma Thompson hadn't done some trimming. But what I didn't understand was why Thompson (whom I've always liked) ADDED scenes and subplots, made changes that didn't seem to save time or add clarity, and eliminated at least one semi-important character (the elder Ms. Steele) wholesale.
Still, there's no denying it's an excellent movie, from the art direction and costumes to Thompson's crafting dialogue that sounds as though it's direct from Austen's pen.
I've found the movie grows on me, though. This was especially true after I watched this DVD version with the commentary track by Thompson and producer Lindsey Doran. Yes, this is an unabashed chick flick, and I found the all-chick commentary refreshingly casual and well-informed (and relatively free of the usual self-congratulatory tones). Thompson's obvious familiarity with and appreciation for Austen's work (as well as her knowledge of the social conditions--such as limited options for women--of Austen's time) slowly made me forgive and understand her changes.
As for the acting, I don't think it could be better: Thompson, Alan Rickman, Kate Winslett, and even Hugh Grant were all great. But I also had a gripe with Thompson and Grant being so much older than their characters are in the book (19 and 23 respectively). This gripe isn't cosmetic or ageist. It's clear that Thompson and Grant are both in their thirties in the movie. This implies more knowledge about life and love than ages 19 and 23. One could say Elinor is always mature for her age, but the irony of how mature she has to be for her age is somehwat lost when the actress playing her (even when playing her very well) is so much older than the character. On the upside, Elizabeth Spriggs is an absolute delight as Mrs. Jennings.
If you feel Thompson's taken too many liberties with her screenplay, view the movie with her commentary; if it doesn't make complete amends, it should at least console you.
17 Making the best of it.
One might nitpick about how this or that bit of the original novel out to have been left in or taken out, but it is, on the whole, a good adaptation.
Unlike some authors of 'social' novels, Jane did not invite us to become angry about unjust social situations, nor did she counsel us to resign themselves; she simply presented them and left us to draw our own conclusions.
The Dashwood girls had to get married. In Britain of that time, that was all that they could do. Their father's estate was entailed, which means that most of it automatically passed to their half-brother. Women in that time were not educated beyond basic literacy and numeracy, and most well-paying occupations were closed to them by either law or custom. In a Catholic country (say, Spain or Italy) young ladies in the Dashwood girls' position would have had the option of becoming nuns, but in Protestant Britain even that was not an option--it was marriage or nothing.
Did Jane's unpitying, but nonjudgmental, portrayal of this situation lead to the nascient feminist movement of the later 19th century, which saw educational and occupational opportunities for women open up and legal reforms that enabled women to control their own money and property? Perhaps, indirectly; certainly her novels brought the situation to people's minds, and probably got them thinking about it far more than more polemical writings would have.
My main quarrel with this movie was the music. Not the music itself, but the performance. The piano used was obviously a modern instrument; pianos of the period had a thinner, lighter, sound than modern ones do. To see the characters playing on little spinnets and hearing a Boesendorfer was a bit disconcerting.
18 Charming and picturesque
Sense and Sensibility wasn't the strongest or most well-developed of Jane Austen's novels, but the characters will still draw you in, especially as they are portrayed so well in this movie version. The film is visually beautiful (it has the quality of a brightly colored painting), and the performances are absorbing. Emma Thompson and Kate Winslet play Elinor and Marianne Dashwood respectively, two sisters whose family has been made poorer after their father's death. Elinor is a sensible and practical young lady, so level-headed in fact that Marianne wonders whether she will ever love passionately; Marianne, on the other hand, is a decided romantic, easily swayed by flowers, poetry and pretty talk. In the movie they experience the highs and lows of love, and come to learn more about one another and lean upon each other as sisters should.
On the male side of the equation are Edward Ferrars (Hugh Grant), John Willoughby (Greg Wise), and Colonel Brandon (Alan Rickman). Elinor comes to feel deeply about the genial, slightly bashful Edward (more than anyone can guess), but must keep her feelings restrained when she discovers that he is promised to another. As for Willoughby and Brandon, both men factor in Marianne's life. Willoughby is young and dashing, sweeping Marianne off her feet and playing to all her fantasies of romance; Brandon is an older man who knows he has slim chances with Marianne, and for most of the movie resigns himself to admiring her from afar.
The movie is not always tidy in bringing these relationships to resolution (just as the novel is not), but the acting is wonderful, particularly Emma Thompson as Elinor and Alan Rickman as Colonel Brandon. Sense and Sensibility is ultimately a delightful entertainment.
19 WOW!
Wonderful film rendition of the Jane Austen masterpiece. In an age when sicial graces and class distinctions ruled, the Dashwood sisters fall in love. Kate Winslet is enchanting as Marianne Dashwood, Emma Thompson makes for an excellent Elinor Daswood, and Hugh Grant and Alan Rickman are wonderful here as Edward Ferrars and Colonel Brandon, roles for which they seem to have been made. And who of, course, could forget the costumes? Its a shame that Sense and Sensibility didn't win more awards when it first came out. Never mind; true fans of this genre will appreciate what a classic this movie really is.
20 buy it!
This is one of my all time favorite chick flicks! I LOVE Alan Rickman in this film!
21 The Ultimate Chick Flick
I would rather pee on a power transformer than sit through this movie again. I should have my man-card taken away from me for allowing my wife to force me to sit through this estrogen powered foo foo film. Guys, if you ever wanted to become a eunich, sit through this one. You'll be impotent at best by the time the credits roll.
22 A classic based on a classic
It seems that for a few years, Hollywood couldn't turn out Austen movies fast enough. This is the only English production of the bunch, and it is wonderful.
The casting is perfect. I thought it very silly that Emma Thompson was going to be the 19 year old Eleanor, and since she produced the movie I thought that was just silly vanity. But she is actually perfect as the too-sensible-for-her-own-good Eleanor. Kate Winslet is great as flaky Marianne. Even little Margaret (Austen's only fully-realized child character) is great as the spunky pre-teen. I remember when the movie came out one reviewer said that Hugh Grant's character "looks like he's forgotten to take the coat hanger out of his clothing" and that is so true... but he's so good as the clueless cad.
The film is beautifully shot, with great sets and scenery. It's a little hard for a modern person to understand why the Dashwoods were so upset to have to move to such a charming cottage! Historical perspective is maintained in the movie, though.
It is also very well written, with my very favourite line in any movie appearing (though I've read the book twice looking for it). Truly words to live by, Mrs. Dashwood tells blabbermouth Margaret that if she can't think of anything appropriate to say, "please keep your conversation to the roads and the weather!" Advice that has never failed me yet :-)
23 Great commentaries (contains spoilers)
When I first heard this film was being made and that Emma Thompson and Hugh Grant were going to be in it, I thought, "Yes! Hugh Grant as Willoughby and Emma Thompson as the unpleasant sister-in-law!" But no. However, the commentaries explain the casting and then it made more sense. By the way, Kate Winslet is perfect and Alan Rickman gets the girl.
24 Very Good Indeed!
This is a wonderful movie with a wonderful cast and beautiful script. I don't really know what else to say except that I absolutely adore this film. Alan Rickman is superb as Colonel Brandon, I fall in love with him over and over again each time I watch this movie. He's wonderful, as is Hugh Grant as Edward Ferrars. Both characters are so likeable and real, they fit perfectly with their characters and make each viewing as enjoyable as the last. Kate Winslet, as well, is one of my favorite actresses. She fits so well in period pieces like this one.
This film is great whether or not you've read the book. It's good all on it's own. My only complaint is that I cannot picture Eleanor as only 19. While I've always pictured her well above her years, I have a difficult time accepting her age in the film. This is overlooked by Emma Thompson's brilliant portrayal of her.
25 Completely wonderful
This movie is one of my all-time favorites. I watch it because I find it warm and comforting. The drama and acting was superb.
I think Alan Rickman just about stole the show. He's wonderful in everything. This is the only movie that I've seen him play a good guy, and he's absolutely wonderful. You can't help but to fall in love with him. Where are the Colonel Brandons of this world!
I was highly impressed with Kate Winslet and Emma Thompson. They were so convincing as the Dashwood sisters that I'll never be able to separate them from the roles.
On top of the fine acting, magnificent scenery, and lovely costumes, you have thoughtful cinematography. Pay close attention to the framing of the scenes. I particularly like the scene where the atlas is delivered to the cottage but not by Edward. While Elinor and her mother are talking about Edward you notice that the camera zooms away. The door frame becomes a picture frame for the scene. You feel like you're in the house, almost eavesdropping. Then Elinor closes the atlas as if to say the conversation is over. There are subtle moves like that throughout the entire movie.
26 wonderful film
Sense and Sensablity with Kate Winslet and Emma Thompson is wonderful and a must see. The costumes and scenery are greta I highly reommend it.
27 Sensibly artistic
I love movie adaptations of Jane Austen classics. I don't like reading her books, because they are too lengthy (eg. Mansfield Park), but watching movies based on them is a whole different story.
Ang Lee added his delicate touch to this one. The story flows on scene by scene smoothly, and he had a great cast. Emma Thompson is able to show Eleanor to be a strong-willed woman, introverted, but nevertheless sensible. Kate Winslet gave a strong performance as the impulsive, free-spirited Marianne. The contrast provided by both actresses is what drives the movie. After all, Marianne is Sense, for she relies on the senses of her heart, and Eleanor is Sensibility. Alan Rickman, as always, gives us a spectacular portrayal of the Colonel - wise and old, and deeply in love with Marianne. We feel and at the same time, comprehend his concern for Marianne, and at once, he gains our sympathy as well as respect.
Hugh Grant is disappointing as usual. I'm not a fan of Hugh, so perhaps I'm being biased here, but I find his stammering, and blinky eyes really annoying (the guy can't even speak right!). Half the time he is mumbling, and his enunciation is so poor it is hard to catch what he is saying.
If Hugh doesn't get too much on your nerves, and if you love a little bit of romance, drama, and comedy, this is definitely your cup of tea. At some points, it had me close to tears, while at others, I couldn't help but smile. I love the contrasting personalities of Charlotte and her husband, as well as the direct similarities between Charlotte and her mother, Mrs Jennings. Brilliant.
Care for a cuppa, anyone?
28 Looses me in another world where "good girls finish first"
Historical detail magnificient and wonderfully adapted. Jane Austin is one of my favorite authors and Emma Thompson did a great job of writing the screenplay. There is suble humor and the actors are so well cast. Not just for women. Great for anyone who enjoys this historical period. Costuming, and sets take you back and the actors place you side by side with them as you live it, rooting for the good girls to win!
29 Sublime Adaptation
Thanks be to Emma Thompson for bringing this marvellous Jane Austen novel to life so beautifully and respectfully!
Let me first remind all reviewers and fans that this story is NO where near the Victorian Era! As an English major and bibliophile, it makes me cringe to read how many people think so. It's like saying that 2000 is the Kennedy era. All Austen is GEORGIAN England, over fifty years before Victoria ever came to the throne; England under the reign of George III/IV; the era of Napolean (the Regency era), complete with less constrictive Grecian-inspired clothing for the women! (Regency: hence the term, EMPIRE waist) By contrast to the rigid manners and clothing of the successive eras, this era is VERY liberal and free, almost contemporary (to our own). Women were not so restricted at this time as they later would be. Isn't that obvious by Marianne's behaviour throughout? =) (And look at Lizzy in P&P! No Victorian woman would have behaved so!)
Now to the film: While many changes were made from its source - no Lady Middleton and child, and no child of Mr and Mrs John Dashwood (John and Fanny) - I am guessing that these ommissions of children must be due to the fact that these children were so young, and not all movie makers want to deal with directing young kids. That is all I can think of to excuse this ommission. What we lose is how different the mothering of Mrs Dashwood and Fanny is, as well as how different Sir John Middleton is from his wife- the former extremely gentile and well natured, the other completely snobby. What we also lose is the chief reason John and Fanny would NOT give the Dashwood girls any financial support, lest it "ruin himself and their poor little Harry". Alas, we see soon enough through Thompson's wonderful screenplay that the step-siblings care for nothing but themselves and this is thrown wonderfully into relief by Elinor, Marianne, Margaret and their mother's more generous behaviour, as well as that of Mrs Jennings and her son-in-law, Sir John Middleton. This said, we lose, too, the contrast between sisters in THIS family - the difference between Charlotte and her sister Lady Middleton. A shame, but still a wonderful film.
Keira Knightly is today's Kate Winslet. They are both young, beautiful talented girls. Watching this film again, reminded me how much I loved and currently miss Winslet's acting. Winslet is the perfect Marianne: vibrant, rash, passionate, and utterly Romantic.
I had reservations at first about how old was Emma Thompson for the role she played! But she pulls this role of Elinor off admirably, my favourite moment of her acting is when she utterly breaks down at the bedside of her feverish, ill sister - a stirring performance that brought tears to my eyes. As much as I love this film and love the two actors, I could not suspend belief that there was actual chemistry between Grant and Thompson - their performances both made it seem as though they were merely old friends who enjoyed each other's company, not lovers who had been divided with heartache by another (ie, Lucy Steele). Indeed the actor's relationship seemed to seep through into their characters, and this was a shame, as I felt some poignancy was lost.
This did not, however, impede any of the fine acting: A finer bumbling Edward was ne'er to be found, and Grant is his usual awkwardness fits this artless, affectionate man to a "T"! A great, comic role.
Alan Rickman's Col. Brandon was fantastic - he does not come across as being too old for his role, and is so handsome in looks and performance as Brandon that it would have mattered anyway. He plays wonderfully a handsome, shy, hurt creature whose chemistry with Marianne was subtle, sober and beautiful, not rash and impulsive as was Marianne's and the dashing young Willoughby's, very smoothly played by an exquisite Greg Wise.
And what a difference for Hugh Laurie from his Blackadder days! I never thought it was the same person. But he is a fantastic actor, and this screenplay allows him, as Mr Palmer, to be both sardonic throughout and then suddenly revealed as compassionate - a complete alteration of character at the end, well played.
Marianne's singing is just lovely, and shows Kate Winslet a very talented girl. It's a shame there is no copy of her performance on any Soundtrack recordings, as countless fans would have purchased it for its amateur sweetness and artless, fine quality.
The pace is so quick that one does not notice that more than two hours have gone by, and it seems not enough time to have spent in this beautiful story.
So, with fine acting, directing and writing, marvellous costumes, gorgeous countryside scenery and a lush score, this movie can be enjoyed by Austen fans and non-Austen fans alike.
30 Enchanting rendition of the timeless classic
After the death of their father, the three Dashwood sisters Eleanor (Emma Thompson) , Marianne (Kate Winslet) , and Margaret (Emilie Francois) , and their mother (Gemma Jones from Bridget Jones Diary) are cheated out of their home and inheritance by Fanny Dashwood ( Harriet Walter) , the evil wife of their half-brother , and are forced to live off the charity of distant relatives.
Meanwhile Fanny's younger brother Edward Ferrars (Hugh Grant) strikes up a friendship with the Dashwood girls, and loves and is loved by Eleanor, who won't admit to it though, believing it to be a marriage that cannot work. She will only refer to her feelings for Edward as ` I esteem and like him'.
Emma Thompson fits the role of Eleanor well, except is a bit old for the role.
Marianne, played by the gorgeous Kate Winslet, fits the role of the romantic and impulsive Marianne perfectly, as she is played and discarded by the detestable John Willoughby (Greg Wise). The kindly friend and mentor to the girls, Colonel Brandon (Alan Rickman) will play a key role in the outcome, without revealing tool much of the plot.
Then the youngest sister, Margaret, played by Emilie Francois, is absolutely adorable, she is a beautiful, lively and intelligent child, and adds such life to the story.
Hugh Grant and Alan Rickman too play their roles as if fit to a glove.
It is interesting to observe a time, when the whole life of the gentry consisted of socializing, an interesting time that has passed way as if it had never been.
31 Watch It! Even if it's your only chic flick!
As I review movies I've seen, I'm beginning to realize how many movies I have gone into reluctantly. I usually start with "I really didn't want to see this movie..."
For "Sense & Sensibility" things were a little different. I was basically against all chic flicks the first time I watched this. I had been bored out of my mind by countless Daniel Steel movies, Molly Ringwold movies, soap operas and whatever else my female friends enjoyed watching. However, out of desperation one night (as it was the only movie in the apartment I hadn't seen), I popped this one in and expected to be asleep and out of my misery shortly.
As the movie starts you are introduced to a family conflict something in the Cinderella order. A nice old man with money is dying. He is limited by the law in providing for his 2nd wife and their daughters because the entire estate needs to go to the son to be preserved. Therefore, on his deathbed, he requests that his son (from his first marriage) looks after them. However, this son has a wicked, wicked wife who talks him out of almost all support, and these gentlewoman have to pack up and live off the generosity of distant relatives.
And so sets up all the dynamics of a typical Austin work (as I have since learned): very cool gentlewomen who don't have the dowry to make them desirable matches. Will any gentlemen be willing to sacrifice monetary gain for true love or will the women end up as old maids?
While that plotline has been at the core of many boring, cliche, catty, or empty Victorian films, what Emma Thompson (actress and screenwriter) has done with this one is pure magic. Rather than focus on how different the era was (the dress, the parties, the etiquette), Thompson sucks you in to the humanity of the characters themselves. Yes, they dress differently and have different societal rules placed upon them. But they feel and love and dream as we do. She brings the whole world to life, showing how people like us express themselves though the mediums they had at the time - through music, poetry, significant looks, walks, etc.
Marianne's (Kate Winslet) story is moving and heart-breaking because of the disillusionment of her youthful confidence and trust. She represents the "Sense" in the movie - one who trusts her feelings and the feelings of her beloved. She lives how we are often encouraged to live today - to do what feels right and to express everything. Elinor's (Emma Thompson) role, on the other hand, is one of the most mature I've ever seen in a film. As the "Sensible" sister, she follows the Victorian era values when it comes to confiding in others, expressing herself, and expecting anything from her true love (Hugh Grant). Yet you see that she does this not out of mindless obedience but because she understands the wisdom behind such etiquette. When her heart finally breaks in spite of all of her carefulness and reserve, yours breaks with her and I cried for the first time in years.
I don't want to spoil the ending (and don't worry, I haven't), but Thompson wraps this movie up to perfection. She seems to have done everything perfectly in the film - from the timing, the character development, the resolution, etc. Ever since I have seen this film, I have yeared for another to bring me to that era in a similar manner but have yet to find one. There are some good ones out there, but nothing touches what was accomplished in this film!
32 A Brilliant Film
This film is a stroke of genius! It is more than a bunch guys in tights and speaking really long, boring dialogue. Jane Austen's classic was brought to life in an extraordinary way, so well that even guys like it! This brilliant romantic comedy has won my heart with wonderful actors, like Alan Rickman, Hugh Grant, Emma Thompson, and Kate Winslet. Excellent!
33 Sense and Sensational
Let's face it: Jane Austen film adaptations have a reputation both for being slow and for being chick flicks. Yet here we have a male reviewer who hasn't read any one of her novels who's also telling you that this is one the finest movies he's ever watched.
I have seen a great many of Victorian-era films and I believe this picture captures the old fashioned "English reserve" more amusingly than any other. Everybody acts so decent and proper that it really makes you laugh. How did people ever express themselves and let out their true feelings in that day and age? They didn't.
As with any movie bearing costumed actors and beautiful English countrysides, it is also a great looking film. The casting is perfect, with Hugh Grant in a shining moment of his career and Emma Thompson giving an unforgettable over the top climactic performance. My advice to the men out there is to give this movie a try because you'll get more out of it than you will with Terminator 2. Yes, there really is such a thing as a chick flick for guys, and its name is Sense and Sensibility.
34 A Very Pleasant Surprise
I had never read the book but I did very much enjoy this beautiful, masterful piece of film.
When I first rented this, I was bored and looking for something (anything) to pass the time and figured it would be boring as hell. Did I ever get a slap in the face!
Emma Thompson received, and might I say, very deservedly so, the Oscar for Best Adapted Screenplay in 1996, for her wonderful work, and was able to stay very faithful to the brilliant Ms. Austen.
Director Ang Lee is perhaps one of the best directors around and was able to recieve some of the best performances ever from this unbelieveable cast. Emma Thompson, as always, was absolutely perfect as Elinor, Kate winslet sweet and naive (if a little too simpery, but I guess that was her character's nature), Gemma Jones as the girls' loving mother, Harriet Walter a very proper and snooty Fanny and Hugh Grant as the nice, if perpetually befuddled, Edward.
The art direction, costumes and music were absolutely perfect and befitting of this era and should have won the Oscars they were up for.
I also feel that both Emma Thompson and Kate Winslet should have received the Oscars in Best Lead and Supporting Actress categories, but you know Hollywood.
If you are ever up for a romantic movie with perhaps one of the best cast lineups ever, this is the movie for you. If you see or saw it and did not like it, then bollocks to ya, you have no tasteful, sensitive bone in your body!!!
35 A classy classic's classic.
A comfortable balance between the eye-catching costumes and garden lush scenery with ingenious character development - this film is a gem. Jane Austen's novel was great to begin with but Emma Thompson's screenplay transfixes a viewer with her incredible dialogues. The Dashwood sisters played by Emma Thompson and Kate Winslet are perfect dichotomies. Winslet's courtships are whimsical and superficial and Thompson cautiously plays her courtship with Hugh Grant's character. Grant absolutely turns out an astoundingly humorous performance in his typically subtle way. An ensemble performance of great proportions without going over the top. This one is a classy classic's classic.
36 The Greatest Jane Austen Book on Film!
Many years ago I was swept away by this enchanting movie. It has hooked me for many years since. The cast is perfectly selected and the scenary is breath taking. This movie is worth watching over and over again as I have gladly done. Emma Thompson does a wonderful job in this movie and I did not find out until much later that she wrote the script as well. I highly recommend this movie for any season and to any person willing to let these wonderful characters into their hearts. I hope you enjoy the movie half as much as I have. If you enjoyed this movie I also highly recommend the BBC version of Pride and Prejudice.
37 Excellent
Jane Austen's Sense and Sensiblility is literary masterpiece which I, knowing this and loving the book, thought would be impossible to be matched a film version, but I was wrong. This DVD is absolutely excellent. THe acting is wonderful, the story and elements involved is breathtaking and the directing and overall smoothness makes this a film that should not be missed.
38 A great movie
I love this movie. It is faithful to Austen, and a great way to spend a couple of hours.
39 Truly the greatest love story ever
I really can't tell you how much i love this movie. i'm not going to prattle away about the cinematography, directing or even skript and acting, because when you watch this film you really just don't care; because you're too involved with whats going on to notice those things. It is simply stunning and leaves you wanting your own Mr. Ferris or Colonel Brandon
40 Jane Austen would be proud
Emma Thompson not plays a lead character, but has written a brilliant screenplay adapted from the Jane Austen classic. The Dashwood women Elinor (Thompson), Marianne (Kate Winslet) and Mrs. Dashwood (Gemma Jones, fron "Bridget Jones' Diary") are in a mighty pickle- their father/husband has died, leaving his fortune and estate to their half-brother John (the wonderful James Fleet). The will instructs John to generously provide for his Step-Mother and half sisters, but John's greedy wife Fanny (Harriet Walter) convinces him that a yearly stipends of 500 pounds is plenty. Thus, the ladies' Dashwood are forced to move out into Mrs. Dashwood's cousin's pokey little cottage. To Fanny's dismay, her brother Edward (Hugh Grant) and Elinor have taken a shine to one another, so Fanny goes to great lengths to keep them apart. Meanwhile Marianne has fallen in love with John Willoughby (Thompson's real life husband Greg Wise), a nearby neighbor and heir to his Aunt's fortune. But all is not as it seems with Willoughby, as Colonel Brandon (Alan Rickman) is all-too aware of. Brandon falls in love with Marianne, but writes the romance off as impossible, as he is much older and no competition for Willoughby's affections. But things change when Willoughby's aunt threatens to cut him off if he doesn't stop associating with the penniless Dashwoods.
The overall theme of this fascinating tale is greed and fortune vs. love and following your heart. What choice will Willoughby make? And what secret is keeping Edward from acting on his obvious affection for Elinor? A wonderful movie, with a stellar cast that seem tailor made for each character.
41 A Beautiful Story!
One of my all time favorite movies. Even if you are unfamiliar with Jane Austen's work, as I was, you will still love this movie. Emma Thompson did a brilliant job on the screenplay. The direction is wonderful and the cast is absolutely stellar. Kate Winslet's performance as Marianne is truly heartbreaking. I can't say enough about it.
42 Not a bad adapation
Sense & Sensibility is my favorite Jane Austen novel and this film version was very well done, but it is also very abridged. Obviously the story had to be edited to fit into a two hour movie, but several important plot points seem to be omitted. If someone hasn't read the book certain parts of the story seem vague, such as the relationship between Edward and Lucy. The performances by the cast, especially Winslet and Rickman were top notch. In my opinion this has been Kate Winslet's best performance yet and she should have won the oscar. I usually like Emma Thompson, but to put it blunt, she was about twenty years too old to play Elinor. All in all this was a enjoyable film, the production quality and the performance by Kate Winslet is reason enough to watch this movie.
43 To love is to burn, to be on fire!
I haven't read any Jane Austen, for which I fervently apologize, but the early nineteenth century is well captured in the scenes in both countryside and London, as well as the costumes.
The Dashwood family, the mother and three daughters Elinor, Marianne and Margaret, has fallen on hard times due to their residence at Norland being given to eldest son John and his wife Fanny following the death of Mr Dashwood. Consequently, they are reduced to being visitors.
Edward Farris (Hugh Grant) is very soft-spoken and kind of wooden, yet he is more sensitive to the Dashwood's plight than his sister Fanny. He is talented at being tactful and clever, given the way he draws out the youngest sister Margaret, ever hiding in her treehouse and under furniture. He is described as being loyal to a commitment, refusing to go back on one's words. Honourable traits indeed for a gentleman. He wants to be in a parish in the quiet countryside, hating London and its lack of peace, but his families has high expectations for him.
The eldest sister Elinor (Emma Thompson) is quite taken by Edward but she has suppressed any feelings by seeing things sensibly, perhaps to the point of being denied happiness. After all, any future between them is hampered by their social standing. The Dashwoods have fallen down in status, and Edward would stand to be disinherited if he married beneath his station.
Marianne (Kate Winslet) though does not find Edward too passionate. There's something wanting in him, "too sedate", as she tells Elinor. "To love is to burn, to be on fire, like Juliet, or Guinevere, or Heloise." A tried and true romantic, and thus the one I connect to the most. She would definitely take issue with Fanny saying "Love is all very well, but unfortunately, we can't all rely on the heart to lead us in the most suitable direction." She falls for Willoughby, a gentleman of ostensiblu good standing, and despite the short time between them, believes that "time alone does not determine intimacy." She also wishes Elinor would be less restrained. "Always resignation and acceptance. Always prudence and honor and duty. Where is your heart?"
The youngest Margaret, is twelve, and is in a world of her own, reading atlases, living in a tree house, and imagining many scenarios, including herself being a captain of an expedition. I was like that when I was young, and I was simply enchanted.
Their move to Barton Cottage, on the estate of Mother Dashwood's cousin Sir John (Robert Hardy of All Creatures Great And Small) and his mother-in-law Ms. Jennings (Elizabeth Spriggs) proves to be a curse and a blessing, the former because of the impossibility of keeping secrets, especially with a cheery Ms. Jennings.
The social class strictures, such as marrying within one's own class, money and breeding being the important factors, the concept of primogeniture may seem dated today, but the hopes of escaping those strictures, or any strictures imposed in any time makes this movie and the novel relevant today.
All the performers are wonderful here. However, it's interesting to see Hugh Laurie (Jeeves and Wooster, Blackadder), usually so full of goofy wackiness playing it so tempered and buttoned down as Palmer, and he does it well. It's a joy to see Kate Winslet as the romantic Marianne, before she plunged into fame in Titanic. Alan Rickman does wonders as the ever-brooding but understanding Colonel Brandon, whose face belies a pained past. He even tells Elinor that maybe it's better for Marianne not to learn the ways of the world, that it's better for her not to hide her emotions, and is well aware of the "impolitic cruelty in dividing two young people long attached to one another."
Despite Marianne's travails, I say it's better to use one's heart and not one's head for one's destiny. After all, "can the soul really be satisfied with such polite affections?" I feel not so.
44 Even better than the book!
This is one of the few movies that I've found are better than the original book. Thompson's adaptation of Jane Austen's novel is witty and vivid, and, for the most part, stays true to the book. The actors are wonderful for their parts- seeing Hugh Grant, for one, as a slightly bemused but benign suitor is a riot. This a must-have of a movie!
45 Absolutely wonderful!
Without a doubt, the best movie adaptation of a Jane Austen novel I have ever seen! I was enraptured by the perfect choice of characters, the breathtaking acting and dramatic scenes, the music (I couldn't rest until I had bought the songs Marianne plays on the piano so that I could play them for myself!) and even the poetry!
All hopeless romantics will fall in love with this film; I watched it twelve times the first week I saw it. Having read the book, I would say that this movie represents one of the few instances where a screenplay outdoes its book.
All the characters have been wonderfully cast, especially Alan Rickman as Colonel Brandon, Kate Winslet as Marianne, and Elizabeth Spriggs as Mrs. Jennings. (My personal favorite!)
Be prepared to love this movie!!
46 My Favorite Comfort Film - And A Glorious English Romance!
Some people have comfort food to help them through dull, drizzly evenings. I have comfort films, and Ang Lee's, (and Emma Thompson's), "Sense And Sensibility" is one of my favorites. I have watched this movie several times since I first saw it, and it never fails to lift my spirits.
This glorious romance of mores and manners, set during England's Regency Period, is very faithful to Jane Austen's brilliant novel. The film vividly brings the novel, with all its characters, to life. The plot focuses on two of the three Dashwood sisters, Elinor and Marianne, and their extremely different temperaments. Emma Thompson wrote this wonderful screenplay and earned an Academy Award for her efforts. She added pizzazz to the film, with an extra dash of drama, some humor, splendid panoramic views and a fabulous ball scene.
A lovely, young Kate Winslet plays Marianne Dashwood to perfection. Marianne is a passionate young woman, with a definite inclination toward the humanities: art, music and literature. Her heart rules her head, more often than not, and she has a very spontaneous nature. Emma Thompson gives a strong performance as Elinor Dashwood, the older of the two sisters. She has a more practical, sensible temperament. While Elinor appreciates the music and literature that her sibling so passionately loves, she definitely thinks things through before making decisions, or taking action, and keeps her personal feelings to herself. She feels tremendous responsibility for her family's well-being. Ms. Thompson gives Elinor a wicked, dry sense of humor, and her character adds much wit to the dialogue. Marianne believes that Elinor, whom she dearly loves, is too cold, and restrained - more concerned with propriety than with feelings. Elinor, on the other hand, is concerned about Marianne's open and guileless behavior. She fears her sister will be hurt by indulging in her strong emotions, and that conventional society will condemn her for this attribute.
The movie opens dramatically, with Mr. Dashwood, the girls' father, on his deathbed, begging his son and heir, (by his first marriage), to please take care of his wife and three daughters after he dies. The spineless John Dashwood sincerely promises his father to do so, and then is persuaded not to by his greedy wife, Fanny, in a wonderful satire-filled scene. Before Elinor, Marianne, their adorable younger sister Margaret, and their mother are forced to leave their home, the Norwood estate, they meet Fanny's brother, the shy and kind Edward Ferrars, (Hugh Grant). Over a period of a few weeks, while the women are packing their belongings, Elinor and Edward grow obviously fond of each other. Their attachment is interrupted by Fanny, who senses the bond forming between her sister-in-law and her brother, and urges the four Dashwood women to leave immediately for their new home.
Upon arriving at their new residence, Barton Cottage, near the estate of Mrs. Dashwood's cousin John, the women meet their relatives and some new neighbors. Colonel Brandon, played by the charismatic Alan Rickman, is included in the welcome party. Brandon is drawn at once to the beautiful, musical Marianne, who does not reciprocate his affection. Instead she falls madly in love with the dashing Willoughby, and Greg Wise is extremely dashing in his persuasive performance as the reckless, feckless young suitor.
The family settles in and explores their surroundings. Elinor waits in vain for Edward to visit her at Barton Cottage. Willoughby's expected marriage proposal to Marianne is unexpectedly interrupted. Two unhappy sisters travel to London for the season, hoping to settle their romantic affairs, and instead, find their dreams thwarted.
I won't give the story away, but it is a tale told wonderfully well, dramatized to perfection by extraordinary actors, and directed by the incomparable Ang Lee. Too many superlatives? You won't think so after you have seen "Sense And Sensibility."
47 Almost as good as the book
Jane Austen fans won't be disappointed by the movie version of one of her best books. Really quite delightful.
48 I love this movie
When Colonel Brandon (Alan Rickman) walked into the room I think my heart stopped. This movie was an excellent adaptation of the original story. Of course being an Alan Rickman fan made it all the better for me. Excellent movie, great actors, this is one you want in your visual library folks. Trust me just buy it!!!!
49 True Love
I didn't know anything about Jane Austen when I first watched this film. Maybe I still don't know that much. But after watching Sense & Sensibility I thought this was the best film about true love I had ever seen. (A special congratulation must go to Patrick Doyle's exquisite musical score - simply beautiful.)
50 sense and sensibility
I couldn't wait to get the dvd in the mail. I truly enjoyed watching this masterpiece; I actually saw it a few times!! Worth watching if you are into Victorian era movies!!
51 An Excellent Film in All Regards
OK, I confess...I love costume dramas! And boy is this a great one!
According to the great commentary that comes along with the DVD (really illuminating; they run the entire film with behind-the-scences comments as the film runs...very enjoyable), the movie only used two lines from the Austen novel. Hmmm, how true to the book can this movie be?
I don't know, and it really doesn't matter! This movie stands well on it's own two (or more) reels. I can't help but think that, based upon the other Austen adaptations I've seen, this is very much in the same vein. The acting is superb, as you'd imagine, with a cast that includes Emma Thompson, Hugh Grant, Kate Winslet, and Alan Rickman.
This DVD is a bargain, as I've watched it three times now, and found it enjoyable and entertaining every time. The acting is first-rate, especially Thompson's.
Highly recommended. This is a film I will (and have) watched over and over again. Enjoy!
52 Looking for love in jolly olde England
Jane Austen's Sense and Sensibility comes to the screen in a visually stunning, beautifully acted film. Emma Thompson stars as Elinor Dashwood, the sensible older sister of Marianne (Kate Winslet), who is idealistic and passionate about life and love. Elinor falls in love with the handsome and wealthy Edward (Hugh Grant), who may be keeping a secret from her. Marianne is completely besotted with the dashing and mysterious Mr. Willoughby. She, however, is persued by a much older and very conservative nobleman, Col. Brandon (Alan Rickman), who has a painful past.
The film follows the sisters on the road to love and happiness, which is quite a bumpy road, due to the rigorous constraints of 18th century society and manners. In the end, of course, true love previals for both sisters, as we always knew it would.
The English countryside is photographed in its splendor and the period homes and costumes are a delight. Emma Thompson captivates as the long-suffering Elinor, and Alan Rickman steals the show as the pitiable Colonel. If you like romance and period films, you will enjoy Sense and Sensibility.
53 Sense and Sensibility
To have Hugh Grant play the part of Edward was at first, seemingly awkward, but I grew to love all the character much more than in the book. All thought some of you may be irked that Alan Rickman (yes, Severus Snape) plays Colonel Brandon, he doesn't do too bad of a job.
Sense and Sensibility is, like Pride and Prejudice, a story taking place in the Victorian era, telling you of the caste system that often created catastrophic incidents. Such is the story of our own Sense and Sensibility. One one hand you have the Dashwood family, dignified and proud, but undeniably poor. There is no longer a Mr Dashwood as he has passed away. Therefore, the Dashwood's having no money (though it was supposed to be supplied by cousin John), move into a cottage. There Jane, the eldest meets Edward, a polite and handsome, yet uninteresting man who immediately falls for Jane. Jane also falls for him (her being the unadventerous type) and they are infatuated with each other. Problem: Edward is heir of a vast estate, and later, it's revealed he's already engaged to a snotty upstart. He is one who does not break promises, and cannot be cajoled into breaking it off.
Marianne, the middle sister is in love with Willoughby, a charming man who's not afraid of adventure. They fall in love, but unfortunately, it's revealed that Willoughby is involved in a scandal, and he marries someone for 50,000 pounds. Marianne is crestfallen, and falls into a state of moping loneliness. But here steps Colonel Brandon. He reads to her excitingly, and they fall in love.
The movie paced quickly and doesn't fail to be "Victorian." I recommend it for any fan/nonfan.
54 Worth owning just for the audio commentary!
My wife and I love this movie. I won't go into details about the movie itself; many others here have already done that quite adequately. Let me tell you what I like about this particular DVD release.
I bought this when I realized it has been re-released with extras. (I believe the first outing was pretty much bare bones.)
The audio commentary with Emma Thompson is more than worth the price of the movie. Absolutely hilarious. As is the clip of her speech at the Golden Globes - written as if penned by Jane Austen herself.
We still haven't digested Ang Lee's commentary; but the disc is well worth the price so far.
Buy it and enjoy! Thanks for reading.
55 A Splendid Adaptation of a Classic Novel!
With an engaging plot, witty dialogue, and consummate acting by an all-star British cast (there really isn't one performance that could even be described as mediocre here!), this is one of the most delightful films I've seen. Emma Thompson received a well-deserved Oscar for this splendid screen adaption of Jane Austen's classic novel. Indeed, it is rare that I enjoy a dramatisation more than the novel, but I must confess that I did so here.
This is a story about love and propriety in early 19th-century England, and it follows a chapter in the lives of the two eldest Dashwood sisters, Elinor (Emma Thompson) and Marianne (Kate Winslet). Their lives (together with those of their mother (Gemma Jones) and youngest sister) have been thrown into disarray by the death of their father (Tom Wilkinson), whose estate has been left to his son by a previous marriage (James Fleet--The Vicar of Dibley's Hugo). At a time when money not only was equated with privilege and power but was essential for one's very survival, Elinor and Marianne, having neither an independent income nor dowries, are in the unenviable position (unlike Austen's Emma) of having to make a good marriage whilst having little but their appearance and personalities to recommend them.
Marianne, however, (the younger of the two) is an impetuous, idealistic romantic, for whom love must be some great all-consuming passion or it simply isn't love. She wears her heart on her sleeve, and when "love" strikes in the dashing form of the dynamic Mr. Willoughby (Greg Wise) whom she takes to be a kindred spirit, she succumbs to her emotions. Her overwhelming passion leads her to lose all common sense and act with reckless impropriety.
Marianne's love is of the kind idealised by the Romantic poets and authors of the time (of which Austen was NOT one!)--the kind of love which cares not a toss for propriety, reputation or other societally imposed values. It is also, alas, oblivious to boring monetary concerns such as wealth or poverty--concerns which in the cold light of day (and as the story bears out) few could disregard for all their talk to the contrary, and which were ultimately the deciding factor in many a marriage.
Realistic rather than romantic, Elinor is of a calmer, more reserved nature, and not the sort to indulge in her emotions. Indeed, if any fault can be found with her behaviour, it is that she is, perhaps, a little too reserved as even the object of her affections is unaware of her true feelings! That said, she behaves sensibly, with dignity, and with concern for others, regardless of what she may be feeling inside (and this is also true of the gentlemen in the story--the real gentlemen, that is--played by Alan Rickman and Hugh Grant).
Though set some 200 years ago, this is truly a film of timeless value. If you've enjoyed the Firth/Ehle version of Pride and Prejudice in particular or you enjoy period productions in general, you'll definitely want to check this one out. But it's such a good film all around--clean, warm-hearted and with plenty of comic relief--that I believe it's appeal is broad enough to be enjoyed by anyone looking for quality entertainment that the whole family can enjoy. I thoroughly enjoyed it and recommend it most highly, and I look forward to reading the companion book: The Sense and Sensibility Screenplay and Diaries by Emma Thompson.
56 truly an awful movie
Appalling!!!! ...Anyone who loves Jane Austen as much as I do should not watch this film. Sadly this isn't the only screen adaptation of an Austen novel that has gone sour. I have yet to find a good one. The acting is dreadful, and there is so little meaningful dialog, come on people! Austen's novels are almost all dialog...
57 Typical of Jane Austen's Themes
Much have been said about the worth of this movie and I agree with almost all of them. I only have this to add: Hugh Grant did surprise me, it never occurred to me that he could be such a good actor. Emma Thompson is pleasant, mature and adorable as always. But having seen too many of her movies, it is not easy to focus on her part here alone. Allan and especially Kate was such a hugh success.
Possibly one of the best Sense and sensibility we have, not only for this generation and for many generations to come.
58 I've watched it about 30 times
I love this film. I saw it in the theater, and bought the video soon after. I've watched it again and again because it is simply...lovely. I love reading Jane Austen, and this film, although it alters the book, captures a certain loveliness found in Austen's writing. Sure, it's made more palatable for the 20th century view, but it possesses the comfort, charm, and loveliness that readers will probably still enjoy. It lacks the cleverness of Austen's wit because it is probably impossible to show that in film. Her writing is unique, but the flavor of the film is very true to her oeuvre. Thompson does a great job of capturing the humor of Austen, and the humor of the flawed but likable..and unlikable characters.
In this particular version, Brandon is significantly enhanced as a rounder character, and Edward Ferrars is perhaps also more rounded. The younger sister, Margaret has a much greater role than in the novel as well. I read one article that pointed out the more feminist aspects of the film over the book, and I agree with it. The film covers over some of the more difficult inequities between men and women in the regency period, for the sake of making a more acceptable story for contemporary viewers. This, along with an important scene left out, make the film a bit more sweet and lighthearted than the original book. The deleted scene involves a return by Willoughby...hopefully this will entice you to find out more by reading the book!
Film adaptations are fun, usually, but they are not an adequate substitute for reading the original text. You won't understand the richness of language, period, or ideas nearly as well unless you read the original book. That's my English teacher speech.
Nevertheless, this film stands completely on its own, and is extremely enjoyable as a film. It's moving, visually beautiful, funny, and informative in some sense. I am particularly fond of the performances by Emma Thompson, Alan Rickman, and Greg Wise. There are no bad performances, but I have especially appreciated these. Above all, I think Rickman's performance is quite moving as the quiet, deep, honorable and sad gentleman.
59 Definitely a family favorite!
Except for the fact that I can't stand the way the Victorians beat around the bush about everything and rarely speak their mind in a plain and straightforward manner, our whole family just loves this movie. Wonderful actors and actresses portraying interesting characters and a wonderful story where, for the most part, everyone has a happy ending (except the guy that felt that money was more important than true love - and he realized his mistake, in the end).
60 Watch it for yourself
I just loved this movie!!! It made me laugh and cry, Emma Thompson's character was great in how she made it through the ups and downs of her relationship with Hugh Grant's character, she was so strong. I also LOVED Alan Rickman, it's finally nice to see him in a role that he was perfect for, if only all men were like him! If you enjoy a little comedy and romance this movie is great.
61 Great film.
This is another great film that has been adapted from the Jane Austen novel. All of the actors in this film do a wonderful job of recreating the characters on the screen. It is obvious that a lot of thought was given to the details in the book and how they are protrayed on the film.
62 Beautiful
This has all the beauty of a Jane Austen movie, with great photography. Some of the shots are breath-taking. The outfits are well done. There is a perfect mix of romanticism and humor in this movie, and the acting is very good.
63 What They Don't Say Is Just As Important
This classy adaptation of Jane Austen's novel stars Emma Thompson and Kate Winslet as the Dashwood sisters. Left out of their father's inheritance, they must rely on finding suitable marriages. Thompson is the reserved one who feels things deeply, but masks her emotions, while Winslet is the passionate one with the more lively personality. Both become involved in complicated relationships with men, each pursuing love in their own ways. Both actresses are terrific in their roles. Thompson is a particular standout, and the scene at the end when her true emotions surface is a great moment. The supporting cast of English actors all add greatly to the atmosphere and quality of the film. Thompson is also the writer, and she incorporates humour and a real grasp of the characters' inner feelings. The sets and costumes are all perfectly rendered as well. But what I enjoyed most was how the film communicated what the characters weren't saying. I appreciate not having everything spelled out for me.
64 Ang Lee is God...
Ang Lee must represent a new kind of film-maker. He is able to span cultures (Crouching Tiger, Hidden Dragon) and genres (The Wedding Banquet) while creating definitive works for each. Sense and Sensibility brings Jane Austen to life - not an easy task in today's society. Kate Winslet is gourgeous and impressive. My only disappointment is that Winslet and Lee haven't teamed up again since.
65 JANE AUSTEN'S TIMELESS CLASSIC COMES TO LIFE
This film is so beautifully realized, in its scope and execution, that I have nothing but praise for both screenwriter/actress - Emma Thompson and director Ang Lee. Based on the novel by Jane Austen, the film follows the exploits of Mary-Anne (Kate Winslet) and Eleanor (Thompson) Dashwood; two angelic sisters determined to find romance amidst the sublime grandeur of the English countryside. Also stars Hugh Grant and Alan Rickman.
Columbia's transfer is, on the whole, gorgeous. Colors are well represented and fine detail is rendered accurately. Contrast levels are subtle, as they should be and dark scenes are accurately represented with only a slight loss of fine detail to speak of. Unfortunately, there are several scenes that exhibit pixelization that breaks apart background information. There is also the inclusion of some minor edge enhancement that, while not terribly obtrusive, is nevertheless present. This special edition includes a wonderful featurette and Emma Thompson's witty acceptance speech at the Golden Globes - a real treat. FINAL WORD: There's no costume drama of the 90's more poignantly captured. A British legend becomes an American Movie Classic. Get this one!
66 4 1/2 *s - Better than the book in my opinion!
Let me say upfront, this is my least favourite Austen book. I found it slow, almost tedious and I had to force myself to finish it. It lacks the sparkle of her other novels and I did not see at all what Eleanor saw in Edward in the book. He was dull, dull, dull.
I found Emma Thompson's screenplay much more upbeat, witty and fun than the book and the casting helps as well. Emma is spot-on as Eleanor, so proper and honorable. Kate Winslet is the perfect Marianne - all emotion and passion running headlong before thought. Greg Wise was absolutely yummy as Willoughby whose character got a bit kinder treatment from Ms Thompson than from Ms Austen. And Alan Rickman was terrific as the lovelorn but stalwart Colonel Brandon. Even Hugh Grant was welcome in the role of Edward (though I must say, I'm not a fan).
Also some great performances from the supporting cast: Hugh Laurie was amusing as the snide Mr Palmer; Harriett Walter as the snobbish and nasty Fanny; Robert Hardy as the silly Sir John and Elizabeth Spriggs as the nosy Mrs. Jennings.
As I said before I enjoyed this treatment better than the book.
If you liked this, also try Persuasion starring Ciaran Hinds and Amanda Root(not to mention the more obvious Pride and Prejudice and Emma). Persuasion was, I believe, Ms Austen's last novel and it's definitely more contemplative and low-key in nature. You may also want to investigate a short story by Suzanne Allain "Incognito" which is very much in the spirit of Austen and Wilde. She's a promising new author who deserves a plug!
67 Rich, nuanced, witty - a true gem!
Emma Thompson's adaptation of Jane Austen's novel and Ang Lee's direction of it prove to be a stunning and talented combination. This story about the complexities of love, society, and family won my heart in the first few minutes with its excellent acting, smart dialogue, and lush period setting.
The movie focuses primarily on the two oldest sisters of the Dashwood family - Elinor (Emma Thompson) and her younger sister Marianne (Kate Winslet.) Elinor is practical and independent-minded, caught between her societal position as a woman and what she wants for herself. In contrast, Marianne is impetuous, artistic, passionate; she pursues her emotions as though nothing else matters. When both sisters fall in love with different men, they react very differently to the awakening of their affections.
The acting in this film could not have been any better. Although critics have complained that Emma Thompson is too old for the part of Elinor, she at once dispels all doubts with her expert performance. She becomes Elinor so thoroughly that it's difficult to imagine another actress tackling this role. As the romantic Marianne, Kate Winslet is charmingly breathless; she captures the essence of her character with seemingly no effort. Hugh Grant is awkwardly sincere as Edward, and the normally sinister Alan Rickman portrays with heartbreaking honesty the love-struck Colonel. To bring all this talent together, Ang Lee provides nuanced direction that captures both the beauty and the humanity of Austen's novel.
On the surface, this is a quiet movie, but underneath the turmoil of life - whether in Austen's time or ours - simmers. Viewers who enjoy character-driven films should love it.
68 My All-Time Favorite
For once, the movie is better than the book. Blasphemy for some of you, but truly, Emma Thompson's screenplay is so well-written, you could sit down and read it -- with a cup of tea, of course -- and thoroughly enjoy every line. The sense of place, the musical score, the performances, and the warm humor make this a film to savor. Which I do, over and over again. I think I've seen it 30 times. Really. Whenever I'm asked, "What's your favorite movie," Sense & Sensibility is the first to come to mind.
69 A Beautifully Done Film...
This movie is beautifully filmed, and the acting is superb. Hugh Grant plays a wonderful Edward with his bumbling demeanor. I won't go into a plot summary because that's been covered pretty well here, but I laughed out loud in many places in the film. It is a subtle film of laughter and tears set in Regency England.
70 Beautiful and Perfect
Actors competing with one another - Emma Thompson, Hugh Grant, Kate Winslet, Alan Rickman, and even the youngest sister; Emma, the mature and sensible, Kate bubbling with romance, Hugh befitting to the situation and Alan, the silent lover and what not. Can there be so many good things in a movie? The movie, based on the classic novel by Jane Austen and beautifully screenplayed by Emma Thompson and directed by Ang Lee.
The story revolves around thee Dashwood sisters who were once rich and famous but losing all of them and searching towards their destiny. The Goddess of wealth or happiness does not seem to be on their way for long and even if, not lasting. The elder sister Elinor - the sensible - and loves Ferras; the younger Marianne is very romantic and attracted deeply to Willoughby when Colonel Brandon loves Marianne. However his love is known only by Elinor until Marianne comes to know finally.
If rich and perfect English locations, great costumes, superb and eloquent language, fine piece of acting are there to appreciate in the movie, Emma Thompson's great acting along with Screenplay adds further to it.
Great movie to watch! If you would like to possess the novel, you got to add the DVD also into your collection.
71 Sense and Sensibility: My Review
Sense and Sensibility is a very good movie with wonderful acting from each member of the cast. Particularly noteworthy is Emma Thompson as Elinor Dashwood, because she not only stars in the film but also wrote the screenplay! Kate Winslet, Hugh Grant, and Alan Rickman are also great in their roles as Marianne, Edward Ferrars, and Colonel Brandon - and as a fan of "All Creatures Great & Small," I can't leave out Robert Hardy, who plays Mrs. Dashwood's (Gemma Jones) jovial cousin, Sir John Middleton.
If you've already seen this film and enjoyed it, you might want to check out a book, written by Emma Thompson, entitled "The Sense & Sensibility Screenplay And Diaries". It contains the entire shooting script as well as Thompson's account of what making the movie was like, and it's just as awesome as the film itself.
72 "Is Love a Fancy or a Feeling?"
When Emma Thompson was approached with the suggestion to write a screenplay based on Jane Austen's first novel "Sense and Sensibility" (1811), she was somewhat doubtful because, as she explains on the DVD's commentary track, she felt that other Austen works, like the more expressive "Emma" and "Persuasion" or the sardonic "Pride and Prejudice" (already the subject of several adaptations) would have been more suitable. Four years and 14 screenplay drafts later (the first, a 300-page handwritten dramatization of the novel's every scene), "Sense and Sensibility" made its grand entrance into theaters worldwide and mesmerized audiences and critics alike, resulting in an Oscar for Thompson's screenplay and six further nominations (Best Picture, Leading Actress - Thompson -, Supporting Actress - Kate Winslet -, Adapted Screenplay, Cinematography, Score - for 20 minutes' worth of composition - and Costume Design); and double honors as Best Picture and for Thompson's screenplay at the Golden Globes.
More than simple romances, Jane Austen's novels are delicately constructed pieces of social commentary, written from her rural Hampshire's perspective. Mostly confined to life in her father's parish, she was nevertheless well aware of early 19th century England's society at large, and fiercely critical of the loss of morals and decorum she saw in its pre-industrial emergent city life. Moreover, experience and observation had made her acutely aware of the corsets forced onto women in fashion terms as much as by social norms, confining them to inactivity and complete dependency on their families' and their (future) husbands' money. And among this movie's greatest strengths is the manner in which it maintains that underlying theme of Austen's writing and brings it to a contemporary audience's attention. "You talk about feeling idle and useless: imagine how that is compounded when one has no hope and no choice of any occupation whatsoever," Elinor Dashwood (Thompson) tells her almost-suitor Edward Ferrars, and when he replies that "our circumstances are therefore precisely the same," she corrects him: "Except that you will inherit your fortune - we cannot even earn ours."
Rescuing much from the first draft dramatization of Austen's novel and amplifying where necessary, Emma Thompson and director Ang Lee ("who most unexplainably seems to understand me better than I understand myself," Thompson said in her mock-Austen Golden Globe speech) produced a movie scrupulously faithful to what is known about Austen's world and at the same time incredibly modern, thus emphasizing the novel's timeless quality. Paintings were consulted for the movie's production design, and indeed, almost every camera frame - both landscapes and interiors - has the feeling of a picture by a period painter. Thompson cleverly uses poetry where the novel does not contain dialogue; and again, she does so in a manner entirely faithful to Austen's subtleties - most prominently in the joint recital of Shakespeare's Sonnet 116 by Marianne Dashwood (Kate Winslet) and John Willoughby (Greg Wise), where an ever so slight inaccuracy in his rendition of a sonnet he claims to love foreshadows his lacking sincerity.
"Sense and Sensibility" revolves around Elinor and Marianne Dashwood, their quest for a suitable husband, and the sisters' relationship with each other. Emma Thompson maintains that she did not write the screenplay with herself as Elinor in mind and would not have been accepted for that role but for the success of her previous films ("Howards End," "The Remains of the Day"); yet, it is hard to imagine who could have better played sensible Elinor: "effectual, ... [possessing] a coolness of judgment, which qualified her, though only nineteen [and thus considerably younger than Thompson], to be the counselor of her mother." And real-life 19-year-old Kate Winslet embodies sensitive, artistic Marianne: "eager in everything; [without] moderation ... generous, amiable, interesting: ... everything but prudent." (As an older actress was sought for that part, her agent presented her as 25.) An early scene in which Marianne recites Hartley Coleridge's Sonnet VII ("Is love a fancy or a feeling? No. It is immortal as immaculate truth") symbolizes the sisters' relationship and their personalities, as Marianne mocks Elinor's seemingly cool response to Edward's budding affection. (Mostly taken from the novel, the scene is embellished by the screenplay's sole inexactitude: Coleridge's sonnets were only published 22 years later). Yet, when all her hope seems shattered, Elinor, in a rare outburst of emotion, rebukes her sister: "What do you know of my heart?" - only to comfort her again when she sees that Marianne is equally distraught.
Hugh Grant and Alan Rickman similarly perfectly portray the sisters' suitors Edward Ferrars and Colonel Brandon, both embodying the qualities Austen considered essential: simplicity, sincerity and a firm sense of morality. Willoughby, on the other hand, while entering the story like the proverbial knight on a white horse who rescues the injured Marianne, does not live up to the high expectations he evokes; he causes Marianne to unacceptably abandon decorum and, just as he misspoke in that line from Shakespeare's sonnet, his love eventually "bends with the remover to remove." Similarly, Lucy Steele (Imogen Stubbs), the near-stumbling block to Elinor's happiness, ultimately proves driven by nothing but an "unceasing attention to self-interest ... with no other sacrifice than that of time and conscience" (Austen) and is, despite a fortuitous marriage, as marginalized as the Dashwoods' greedy sister-in-law Fanny (Harriet Walter). Conversely, the boisterous Sir John Middleton and his garrulous mother-in-law, while annoying in their insensitivity, are essentially goodnatured; and marvelously portrayed in their flawed but warmhearted ways by Robert Hardy and Elizabeth Spriggs.
"Sense and Sensibility" came out at the height of the mid-1990s' Jane Austen revival. Of all movies released then, and alongside 1996's "Emma" (which has "Hollywood" written all over it) and the BBC's "Pride and Prejudice" (which finally established Colin Firth as the leading man in the U.S. that he had long been in Britain), Emma Thompson's "Sense and Sensibility" is one of those adaptations that future generations of moviegoers will likely turn to in years to come. And it is truly an experience not to be missed.
73 Absolutely Brilliant!
This film is absolutely brilliant! There is not much more to say! Emma Thompson and Kate Winslet give magnificent performances! The storyline was written beautifully. It is witty, endearing, sad and triumphant all at the same time throughout the entire movie! You can't help but fall in love with all the heroic characters and come to despise the dishonest ones. And the director, Ang Lee, did an amazing job of capturing the story through such a simple and understated way, yet it hardly comes across the film that way! I recommend this film to anyone who loves a good storyline with a plot and brilliant acting!
74 Absolutely Beautiful!!
This is one of my all-time favorite films. Everything about it is just superb, from the gorgeous scenery to the clever script to the perfect casting of every role. I could never tire of watching this, it has a deep appeal to the romantic in me.I dare say it will do the same for anyone who loves romance and has an imagination. Ahhh, if only there could be a sequel!! But it IS hard to outdo perfection!
75 Sense and Sensibility
This film is a delightful whitty romance. A beautifully done film with an excellent cast. During the film you will become to know and connect with the characters. The music is warm and lovely. You must see this. Excellently portrays the trials of romance for that century's women.
76 Flawlessly Beautiful
What can I say but I loved this movie! Whether or not you are a Jane Austen fan, you can appreciate the beauty of this film. Emma Thompson has adapted a screenplay from Jane Austen's novel of the same title that deservedly won the Academy Award and she managed to turn in a subtle, nuanced performance as the elder Dashwood sister, Elinor. Kate Winslet, pre-Titanic, is glorious and simply glows as the passionate middle sister, Marianne. Hugh Grant is at his bumbling, awkward best as Edward, the man who quietly steals Elinor's heart. But the best, by far, is Alan Rickman, whose Colonel Brandon is sensitive and intelligent. You simply ache for him as he steps aside, despite his love for Marianne, to allow her to seek happiness with the caddish Willoughby. In the background of these emotional maelstroms is a musical score that captures all of the drama so well your heartstrings will be tugged, in addition to lovely costumes and breathtaking scenery of the English countryside. Simply put, if you want to watch a movie that will fill you with the same longing that Colonel Brandon suffered and love that makes you burn, as Marianne so wished for, this is the movie for you.
77 Rent It, But Don't Bother Buying It
All you have to do is look at the cover of this DVD to realize that this movie was made to appeal to women, but after having seen it, I doubt that even the most amorous woman would find this movie appealing.
Emma Thompson and Kate Winslet play two sisters named Elinor and Marianne Dashwood. Both are bachelorettes whose father has recently died and left them virtually impoverished, and who seem to want nothing more than to get married. The movie is set in 19th century England, and given the customs in those days, I suppose it was acceptable for marriage to be a woman's only aspiration in life. Of course, marriage in that day-in-age was more of a merging of two people of similar social and economic stature than a solidification of love. Elinor (Thompson) is the "sensible" and conservative sister who comes off as comically prudish, and Marianne (Winslet) is younger and starry-eyed. Marianne is courted by two gentlemen, and Elinor is courted by a man named Edward Ferrars (played by Hugh Grant), who is actually engaged to someone else, and has been for five years. The only real suspense is in who will marry whom in the end. Without giving away the ending, I'll only say that I was disappointed that both sisters married men who were not deserving of women of their high class.
This movie was nominated for the Academy Award for Best Picture, and I can see why. It's visually attractive, the costumes are very interesting, the dialogue is extremely smart, and the performances by Emma Thompson and Kate Winslet are very good. However, even when you put all those things together into one movie, it's still entirely possible that the audience will not be entertained. This movie was entertaining for the most part, but there were times when it felt extremely dry, and I found myself looking at my watch to see how much time had passed.
This is a movie that might be fun to see once, but I don't recommend spending money and actually buying it.
78 Well done
Ang Lee was an intelligent choice for this film. And is Kate Winslet the most beautiful woman in the world, or what? She even manages to keep her clothes on. The mood of this film is often somber and reflective. It will put some directly to sleep, while romantics will be riveted to their chairs. The supporting cast couldn't be better. What a pleasure to find Hugh Laurie and Robert Hardy providing comic relief, and Hugh Grant makes a fine Edward Farrars. If the ending doesn't stir you, you must be a reptile.
79 a beautiful story
I loved this movie. I love romantic comedy, and this is one of the best. Emma Thompson was outstanding as was Kate Winslet and Hugh Grant. Don't miss this one.
80 Could Not Be Better
How can a romantic comedy about seeking marriage mates win the Berlinale, one of the most prestigious film festivals? Well, this splendid adaptation of a classic Jane Austen novel did just that in 1996, combining fabulous writing (and acting) of Emma Thompson and great directing of Ang Lee ("The Wedding Banquet", "Crouching Tiger, Hidden Dragon").
Other performances are also first-class. Kate Winslet, Alan Rickman and Hugh Grant shine (personally, I've never seen a role to be so fitting for Grant, although "Four Weddings and a Funeral" and "About a Boy" came close). The whole cast is flawless.
When the film came out, even the self-proclaimed film saviour Quentin Tarantino could not help himself but quip: "Who the F... is Jane Austen?" Yes, this English author who lived 200 years ago wrote only romantic novels about girls (and men) who are in want of a spouse. But she achieved perfencion in this very limited space (the novel "Pride and Prejudice" is probably the best). In this movie, the very human side -- the desire not to be alone, to spend a lifetime with the One -- is described with power. Finding the true love was the prime thing for the two Dashwood sisters. But, is it still not true for most of us, even in this cold, material world?
Emma Thompson, already an Oscar winner for her leading role in "Howards End" (1992), won the Oscar for this film's adapted screenplay, becoming the first artist ever to achieve such a feat -- winning the Academy Awards for both acting and writing.
Apart from saving all important aspects of the story, Thompson included very poignant and sharp moments in the script. When her character Elinor and Edward Ferrars (played by Grant) are on a cruise ride, she says, 'you inherit your money. We cannot even make it,' hinting at the situation of middle class women two centuries ago, when their fortunes depended heavily either on inheritance from father or property of husband -- and it was imaginable they should go to work. A great social commentary.
Beatifully shot, with delicate music score by Patrick Doyle, "Sense and Sensibility" is predominantly an entertaining film. But its social and human undertones are undeniable. It did win Berlin festival and the Golden Globe, but lost the Oscar race to "Braveheart". Maybe for the lack of great human topic that would rank it along "Schindler's List" or "The English Patient". Yet I feel that there was not the film in 1995 to deserve the big Oscar more than this one.
If you have sense and sensbility, you will laugh and you will cry. This is a film to love.
81 The ONE movie I'd choose if I had to choose ONE
I've seen a lot of movies--read even more books. There's something about this film that makes me want to see it again and again and each time, it's as brilliant as the first and I end it with tears streaming down my face. It's a completely successful adaptation of Jane Austin's story. Emma Thompson's wit and "sensibility" shines. The acting is supurb and I have already turned my young daughters into fans. Don't miss this wonderful film.
82 Good Movie for Girls Night
My college roommate and I watched this movie one night when we were in the mood for a classic. It was immediately one of our favorite movies!
83 Wonderful
I absolutely love this movie! I've read the book and at first was hesitant to watch the movie as i didn't think that a movie could do justice to it... but I was wrong. The characters are portrayed perfectly, and the movie is fun to watch even for those who are not familiar with Jane Austen's works. Definitely highly recommended, particularly for a girls movie night...
84 Hidden Talent
Britain is possibly unique in that our world-renowned dramatic talent is, on occasion, actually less gifted than our apparent "second string" company. A fact which this production illustrates to perfection.
The script for "Sense and Sensibility" is the work of Emma Thompson (who also plays Elinor Dashwood), better known world-wide as Mrs Kenneth Brannagh, yet proving here that her own talents are easily the equal of her husband's.
Likewise seemingly supporting, but actually key roles, are filled by by Elisabeth Spriggs (Mrs Jennings) and Robert Hardy (Sir John Middleton), two players who, though not well-known to the world at large, have been the making of more productions than I've had hot dinners.
Taken at face value, the work of Jane Austen is little more than a historical version of Danielle Steele. When it is the focus of a galaxy of such genuine talent as is collected here, however, it becomes far, far more - a genuine work of genius that transcends time and becomes not simply a piece of quaint English history but a tale that has something worthwhile - and entertaining - to say at any point in time.
You *may* find productions that equal this version of "Sense and Sensibility" in its chosen field, but you'll find VERY FEW that do any better.
HIGHLY recommended.
85 Excellent!
Hugh Grant in tights and Alan Rickman in a wet shirt? A+
86 Fun romantic flick
I've never read the book, but if it's anything like this film, it must be just wonderful. I tend to credit Emma Thompson and Ang Lee, the screenwriter and director, respectively, for making a "classic" book into a period piece with a modern feel.
Thompson gives another restrained performance on the same level as her work in The Remains of the Day and Howard's End. (Is she being typecast, or is she just the only one who can do these roles?) But right on her tail are Kate Winslet, just coming into her own at this stage but giving her character the full treatment (somehow she does despair just perfectly), and Alan Rickman, giving an unusually restrained performance as the Colonel who loves Kate's character while she instead loves Greg Wise's.
Emma, instead gets to have lovely confusion with Hugh Grant. The mistakes feel contrived but they give terrific opportunity for Emma to act all upset while not showing it.
Of, course there is a happy ending, after all we've been put through, there'd better be, but in general, it's a fun movie, and I was fully caught up in it.
87 Simply Superb
This film is lovely in clothes, scenes, and characters. Emma Thompson and Alan Rickman are just absolutely wonderful in their so carefully understated roles. I liked their characters so much that I wished they were getting married instead of...opps, don't want to spoil it for anyone. This film ranks in my top 10 favorites. Just a joy & and gem!
88 Very Well Done Adaptation!
Although some people criticize this for being too polished, it is still a brilliant movie. All the actors do an excellent job. Thompson takes some liberties with her version (Margaret is way more developed than in the Austen original) but she does a good job with it. Winslet is very pretty in her role and Thompson is a great Elinor-governs her feelings but feels things very intensely. Rickman is -as always-very proper and fits the role perfectly for the MOVIE. Keep in mind that Thompson does a lot to flesh out the male characters (to make them more appealing) than Austen did originally. But in my opinion, she does it so well that all but the most unforgiving Austen enthusiasts will love it.
89 If YOU have any SENSE...
you will buy this movie right this instant! Wow! What a great movie! Emma Thompson, Kate Winslet, Hugh Grant (gotta love Hugh), Alan Rickman (gotta love Alan too)... they all contribute magnificently to this perfect telling of an intriguing and thoroughly heart-warming tale. Did I mention really funny too? Well it is... it is even laugh-out-loud funny at times.
Emma Thompson, and Kate Winslet play the Dashwood sisters-- the oldest (or should I say eldest?), Elinor (Emma Thompson), reserved, sensible, practical; the younger, Marianne (Kate Winslet), impetuous, spontaneous, passionate-- who along with their mother, and younger sister Margaret, are thrust into a less than favorable situation when their father dies. As a result of his death they are left to the mercy of their spineless half-brother, and his hateful, high-minded, selfish wife, who inherit their father's estate. Not for long though, as an offer is made to them which will allow them to part ways with their tormentors- the two thorns in their flesh. But not before Elinor takes interest in a certain visitor, Edward Ferrars (Hugh Grant), finding love in the most unexpected place, only to have it seemingly snatched from her grasp (things get quite complicated)! Marianne too, soon *stumbles* into love... the kind she has always dreamed of... but her relationship seems ill-fated as well. Will the two ever find love?
It's very interesting to see how both react to their feelings, and in the end, to see which pays off: being sensible, or being impetuous, or, being both in balance. Oh, but the story is far deeper than that. There is much in this movie to dazzle and delight even the most critical of tastes. It is certainly one that you will never grow tired of watching... simply a wonderful, wonderful film. Emma, Kate, Hugh, Alan, Ang Lee (the director), everyone in this movie, and behind the scenes, helped to make it a true classic! I guarantee you will not regret buying it! Be sensible, and do so! :-D
90 A gorgeous film
This remains one of the best, most lovingly-made films I've ever seen. Dare I say that it's better than the Jane Austen novel that inspired it? The scenery is glorious, the music is beautifully haunting, the acting superb. The story is beautifully told. Best of all, it features the wisdom found in all of Austen's novels: know your own heart, and follow it. Have both passion and reason, in moderation. Remember that charisma does not always equal substance. Best of all, it proves that good things come to those who deserve them.
91 Broke SWFs seek SWMs of means. All offers considered.
A couple of weeks back, I saw the 1996 A&E production of PRIDE AND PREJUDICE. Putting my "real man" self image at extreme risk, I admitted publicly that I enjoyed this most excellent film immensely. Pushing reputation even closer to the edge, I viewed the 1995 release of SENSE AND SENSIBILITY last weekend. (I need something to watch while doing the ironing.) The theme of both films seems to be "anxious females seek Princes Charming to rescue them from rural spinsterhood", which, on the knowledgeable authority of a good friend and Jane Austen obsessive, is common to all of the author's works. Feminists may cringe at that generalization, but there wasn't much in the way of bra-burning in the first decade of the 19th century when Austen was busy scribbling.
S&S opens at the side of Mr. Dashwood's deathbed, at which point he's leaving his entire estate to his son John (James Fleet) in conjunction with the latter's promise to financially provide for his half-sisters, Elinor (Emma Thompson), Marianne (Kate Winslet) and Margaret (Emilie Francois). Subsequently, though John gives lip service to generous support of his siblings, he's easily dissuaded by his selfish wife, Fanny (Harriet Walter). Soon, the three Dashwood sisters and their mother are tossed out of their Great House to live in a (rather large) cottage on a cousin's estate. With no dowries to back them up, the two eldest, Elinor and Marianne, are left to Fate and their own charms to attract men of means to wed. So, Elinor may or may not be favored by the younger of Fanny's brothers, Edward (Hugh Grant). And Marianne is adored by the socially awkward Colonel Brandon (Alan Rickman), but she only has doe eyes for the dashing Willoughby (Greg Wise). It's such a puzzle.
My opinion of S&S suffers from having previously seen P&P. It's difficult to be fair since the latter is by far and away the richer and more humorous presentation. Emma Thompson is, however, superb as the sensible sister who, while dealing with her own turmoil of the heart, must support the feelings-driven Marianne as the latter careens from one emotional extreme to the next. Alan Rickman is marvelous as the suitor tortured by the demons of unrequited love. On the other hand, I wasn't quite so impressed with Grant as Edward, who was painfully ill at ease in the presence of adult women. (A deer caught in the high beams comes to mind.) Normally, the unassuming shyness of Grant's roles is appealing, but this time it was a bit over the top. Either that or his Georgian-era shorts were bunched and his collar too tight. And because P&P is over twice as long as S&S, the script of the former could afford to include some minor personalities of cleverly done eccentricity. The costuming and choreography in S&S seemed a realistic depiction of the times, but I'm as poorly equipped to adjudicate now as I was for the same elements of P&P. One thing I can judge, though, is the English countryside that's like no other that I've enjoyed. Towards the end, there was the panoramic view of a wind-rippled, grassy valley sloping down to the sea, probably in Devonshire. I was so "homesick" that I teared just a trifle.
Because the pace of the story caused me to doze off for a couple of brief moments, I can't in good conscience award more than four and one-half stars. The review system of this site will round it up.
92 hate it
what else can i say i hate it. well everybody has the right to their opinion, haven't they? emma thompson made me want to throw up and i foud it hard to watch this video to the end
93 the good definetly outweighs the questionable
Okay, so ELinor was supposed to be 19 and Brandon only 35. Emma Thompson fudged with the ages a little. So what? If I was Emma Thompson and over 19 and writing this screenplay I would do so myself. There were a couple of times, I grant you, that I did wish that Elinor was being played by a younger actress. But only a couple of times and I have watched this movie more times than I care to report. And Alan Rickman was over 35 but he's ALAN RICKMAN and he provided a beautiful portrayl of Colonel Brandon. As for Ms. Thompson's alterations and additions they were for the most part not only neccessary for a screen adaptation but delightful and on reading the book I missed the scene about the atlas. Ms. Thompson's writing is quite charming and a delightful companion to the book.
94 Good movie but can be better with different cast
It is an excellent movie but it would've been better with different cast. The story was very good in the sense that you wanted to know what would happen next. I saw this dvd and I will try and get it to own it. I will put it with my favorite DVDs.
95 Some more boring film work from Boring film maker Ang Lee.
This film is so boring. So boring that it makes GONE WITH THE WILD look like a action John Woo film. Do not get this film.
96 English Romance At Its Finest
Jane Austen is a fine writer, but her wordiness tends to drain the life from many of her characters. Thankfully, Emma Thompson recognized the limitations of the novel and adapted her screenplay accordingly, enhancing the humor of the original story and adding more drama to make the film more enchanting. A cast was then chosen, made up of very talented thespians, including Miss Thompson herself. Add to that splendid English landscapes, excellent directing, and superb cinematography, and what emerges is a modern masterpiece.
This is not a movie for action fans; it is far too cerebral and requires a serious attention span. For those who enjoy a good love story well told, this is it. The characters are three-dimensional and their dilemmas full of human drama, bound as they are by the morals and manners of the times. Three sisters and their mother are left virtually penniless by the stricture against females inheriting property then in place in English law. The half-brother to the Dashwood women receives it all, but his selfish wife talks him out of helping his stepmother and half-sisters. It is up to the two older girls---sensible Eleanor and passionate Marianne---to seek their fortunes in romance while lacking a dowry to help them.
Eleanor finds her soulmate in shy, retiring Edward Ferrars, brother of the selfish sister-in-law. Her budding romance is shelved when his sister makes it clear that Eleanor is "unsuitable" for Edward. The sisters and their mother then go to stay in a cottage owned by a kindly relative, Sir John, and his mother-in-law, the irrepressible Mrs. Jennings. The old woman is a confirmed gossip and matchmaker, bound to see one of the two sisters hitched up to Colonel Brandon, the most eligible bachelor in the area.
Brandon first sees Marianne singing a melancholy song and is incurably smitten. She in turn loses her heart to a dashing young man named Willoughby, who is her ideal of a Victorian-era gentleman, complete with a pocket book of sonnets. Brandon, who loves her more than his own happiness, steps aside and even encourages their relationship, despite his dislike for the handsome rogue.
Things take an unexpected turn for the worse for both sisters---Willoughby drops Marianne and flees to London with no explanation and Eleanor discovers that Edward is engaged to a shallow young woman named Lucy Steele. The ensuing twists and turns in the plot make this film both agonizing and entertaining to watch. Mercifully, everyone winds up happy at the end with the right person as a spouse.
The whole film is solidly done, but it is the acting that really shines. Thompson is perfect for the role of the calmer sister, while Winslett is brilliant as the mercurial Marianne. Grant is endearing as the gentle Edward; Rickman finally gets to display his considerable ability to act the part of a very good and unselfish man. The rest of the cast keeps pace with the leads, and Hugh Laurie is indescribably funny as the sarcastic Mr. Palmer. One very beautiful aspect of this movie, along with the tendency to get drawn into the story, is the haunting and evocative musical score.
All in all, this is a wonderful example of a film genre that is so often overlooked in today's world---period romance. More movies like this one desperately need to be produced. Buy this one today because it's a gem.
97 Not quite Austen, but a wonderful...
movie!! E. Thompson actually added to the humor of the story (at the same time making it quite a bit darker). We should all read Austen's books, but this movie adapt. is worth seeing again and again...
98 Love That Movie
What more could I say about this movie that hasn't been said. It's the kind of movie you watch when you're feeling down. It's a pick-me-up movie. Spectacular settings, performers and acting. Love that Emma Thompson. Kate Winslet is adorable. Would love Alan Rickman with a bag over his head. I highly recommend this movie to all Jane Austen fans and lovers of period pieces.
99 I love this movie
I haven't seen this movie in a while, but I want to buy it for my collection because I know that it is one I will want to watch again and again. It is a great love story.
100 As a Jane Austen lover, this film amazed me!
I was disappointed to read a recent review that found little to praise in this splendid rendition of Austen's timeless classic. I agree with "Emily McB" that Emma Thompson did seem a bit too old to be playing a 19 year old, but who could have represented Elinor Dashwood's character more wonderfully? The greatest thing about this film is that it stayed true to Jane Austen's tone. In writing the script, Thompson paid reverence to the drama of the story while not forgetting the humor. If Jane could have made the movie herself, I am certain it would have come close to this.
