1 Poignant and Moving
In my book this is an excellent movie, but one you just have to relax into and let unfold. The movie isn't so much about Alvin Straight as it is about the people he meets and how they interact with him as he slowly journeys to see his brother. I think it's one of David Lynch's best movies, but one for which the average Lynch fan will probably walk away shaking his head. Nothing much happens and a lot happens. The things that happen have to do with how people see each other and how they change. Richard Farnsworth, who was old and sick himself, plays with great dignity the old and sick Alvin Straight. If you watch this movie with an open mind, I think you'll be affected by it.
2 The Most Mature Sissy Spacek Yet
The DVD case said, "Also recommended: *Spitfire Grill*, *Fried Green Tomatoes* and *On Golden Pond*." But if you've seen those, you've seen this. And, if you *like* those (and I do), you'll like this. This is not really Sissy's story, though - it belongs to Richard Farnsworth, who died immediately afterward. An unexpected turn by director Lynch (*Blue Velvet* and *Wild At Heart*), without any of the irony and surrealism that he thrives on. A gorgeous score emphasizes the endless sweeping shots of America The Beautiful, with the attendant spacious skies and amber waves of grain. This is the backdrop for the story of Alvin Straight (Farnsworth), who, for a variety of reasons, decides to drive his lawnmower 300+ miles to see his brother. It is a true story, and you know right off the bat, that this is going to be a tearjerker - Alvin is increasingly infirm at 73, and learns that his estranged brother has had a stroke. He lives with his daughter, Rose (Spacek), who is "slow." This is the most mature Sissy yet - she could rest on her laurels and still be hailed as a major actress entering her fourth decade of moviemaking - though in this, she is a minor, but unforgettable, character, and has excellent assistance from the other supporting cast. The reunion between the elderly brothers looms large throughout the last half. As snapshot-like vignettes spin by, we are propelled towards the inevitable meeting, which promises to be a gusher - but isn't. Though it ends rather abruptly when Alvin shows up at his brother's place six weeks later, the story has been told, gloriously.
3 Heartwarming family film
This film is fantastic! It's a story about a man who travels a great distance on an old john deere lawnmower to see his brother that he's not seen in 10 years. It's a wonderful family-oriented film that deals with lots of issues and is surprisingly deep for a Disney film.
Originally I thought that this film might be kind of sappy and tha I might not like it, but I ended up loving it. Richard Farnsworth, usually seen as a stunt man, became the oldest man to receive a best actor academy award nomination for his work in this film. (He lost to Kevin Spacey.)
This film has nothing offensive in it that I could find. I don't think there's even any swearing. So if you're looking for a great film to watch with your children and your parents, this is a great one to consider!
4 A terribly beautiful film.
I recently bought this movie and I am glad I did. A big fan of David Lynch, I now have almost all of his films (except Eraserhead, Dune, and the irritaingly non-existant Twin Peaks 2nd season box set). Upon watching this film, what struck me was the breath-taking beauty of the combination of cinematography and score. Watching the gentle passing over golden rows of corn and hauntingly empty main streets with the excellent orchestration of Angelo Badalementi will warm anyone's heart. The story of a dying old man making a final trip of reconcilliation with himself and with his brother is not something you'd expect to see from hollywood these days. Funny how a movie like this could be made by a director who is used to delving into the dark parts of the human psyche.
As I said, the camerawork, score, story, and characters are top-notch. However, there is one complaint I have with this film. I'm not familiar with Alvin Straight the man, but I felt that at times the film portrayed him as some sort of saint, dispensing wisdom to everyone he comes across. Maybe in talking to others, Straight was in a way talking to himself...
I highly recommend The Straight Story to anyone who wants a real family film, a film with not only a good message but a film that is a great work of art.
"Tenderness can be just as abstract as insanity." - David Lynch
5 Ignore the fact it's directed by David Lynch -- it's GOOD
My husband insisted I watch this movie, and he pretty much had to cajole me into it. You see, as soon as I heard it was directed by David Lynch, I didn't want to watch it. All of those bad undergraduate memories of gothed-out, late-night "Blue Velvet" movie get-togethers, having to hear people babble endlessly on about "Twin Peaks" in the early 90's, and high school "Eraserhead" days all combined throughout time to make me hate David Lynch. Then I heard "The Straight Story" was about some guy on a lawn mower. I thought it was going to be pointlessly weird and annoying.
I was wrong, thank goodness! This was a hypnotic film that really touches your heart. I never cry when I watch a movie, but this one got the waterworks flowing (I'm embarassed to say). There was nothing weird or pointlessly strange about it (I'm glad!). The musical score was wonderful, and the performances luminous. The storyline is highly creative, while still being a believable slice-of-life at the same time.
In an odd way, this film reminded me of "Slingblade". Pretty much, if you liked "Slingblade", you'll like this movie. Although this movie is not as dark as "Slingblade" (in fact, I was surprised to learn after seeing it that "The Straight Story" is rated G -- usually I dislike movies rates G -- but this is an exception to the rule).
This movie is worth buying. Take it from me -- I was prepared to hate this movie, but came away delighted instead!
6 Majestic, spiritual, innovative
This is on my short list of greatest films. It shows a respect for humanity that is all too rare in our culture. Any author or artist willing to risk the silences and the slow, patient rhythms of real life should recieve a badge of courage. To people who have forgotten what it's like to live without the constant presence of quick-cut mass-media, well...just read what they say in the negative reviews of this movie: they just don't get it. This movie is like a brilliant dream unfolding on the country roads crossing the prairie. Highest praises to David Lynch.
7 pure disney schlock
What a great story and lesson about humanity! Why mess it up and bury it in a cornpone rendering of the midwest. Using local talent to provide local color was a big mistake - none of the townspeople can act and they come across worse than Floyd and Goober in Mayberry. I grew up in a small farm town and noone was that lost to reality as these people (really the script writer, this thing must had script problems from day one). Is portraying a vacant town supposed to say something? Seems like all the more reason to get out of there, looks like some sort of post-apocalyptic armageddon. And after all the delicious encounters with the blind happen chances on the road why his interaction with his brother is limited to the word yup? This is supposed to be the central motivator and it is completely wasted. And what the hell is Sissy supposed to be? Her speech impediment character is unbelievable and just detracts from the main story. She has nothing of value to say that has any bearing on anything. Hallucinating about the child with the ball looks like it might provide some real meat and then never provides and impetus to the plot. And where did that guy to to cinematography school? Film the pavement as a bus slows down? Come on!
I must say though, some of the finest background music ever composed with the few scenes of rural America that work.
8 Not For Everyone
A dying Richard Farnsworth gives the performance of his life as the dying Alvin Straight--a simple (but far from simple-minded) man who wants to put right as much as he can, and take one last long look at the world, before he moves on. If that doesn't sound like your cup of tea, then it probably isn't--this is the kind of movie that you really have to be in the mood for, and for which some people never are. I happened to see it after a tough week of work, struggling to fix things that really shouldn't have been my responsibility and dealing with duplicitous managers who seemed to spend most of their time shifting blame. This gave me a wonderful sense of relief from my own stupid little problems, and some perspective about what really is important.
9 Quietly spiritual
One of terms that was used in the editorial of this film was "quietly spiritual", which I think is a great description. It's one of those rare films that, rather than telling you how you should perceive it, unfolds and lets you define your own meaning for it. It portrays a man approaching the end of his life, trying to find meaning and tie up loose ends.
This is a fantastic movie. If you watch it (I highly recommend it), make sure that you either watch it by yourself or with someone who can appreciate a movie that makes you think. I made the mistake of watching it with my simple-minded ex-wife who found it boring. Watch it and enjoy.
10 Boring... These other reviewers are nuts!
The Straight Story is horribly boring. Nothing of note happens in the entire film. The people that have given this four and five stars must be crazy. You will be very disappointed if you watch this film "The Straight Story". There are some nice views of Iowa in the film, and if that's all you expect you may be satisfied. If you want to see a plot or story line you will be disappointed. All you will to see is character development with nothing ever happening. The retarded daughter(Sissy Spacek) is totally pointless btw. Anyway, don't say I didn't warn you!
11 What a priviledge
Where do you begin with a film that is as beautiful, poetic, moving, powerful, substantial, grounding, uplifting, and definitively sublime as The Straight Story. From it's emotionally and technically pitch perfect score by Angelo Badalamenti to the brilliant direction of David Lynch, the film takes us on a journey we will never forget.
Despite everything I've offered, the film depends upon one man- Richard Farnsworth. In his last role, his award-winning performance is a master class in listening and being. He IS Alvin Straight instead of acting like Alvin Straight. His beautiful blue eyes are weary with pain and memories. I have never seen the eyes convey so very much. To watch his scene at the bar and not have a resounding physical reaction- well, there may be no help for your soul.
Simply put, allow yourself the priviledge of viewing The Straight Story.
12 Not a Plug For John Deere
A film that showcases something that has been missing from films...decency. THE STRAIGHT STORY also shows a peaceful, laidback, and beautiful America. David Lynch pulls back (way, way, back) from his bizarro world and tells a story (based on a true account) that is heartfelt without being a tearjerker. Richard Farnsworth (perfectly cast and deserved his best actor nomination) plays Alvin Straight a geriatric in Iowa who decides to visit and reconcile with his estranged and ailing brother Lyle (Harry Dean Stanton) in Wisconsin. His transportation of choice is a John Deere riding lawn mower with trailer in tow (because his eyes are too bad for driving a car and he doesn't trust the driver of a bus). Along the way he meets up with kind folk who are sympathetic, non-judgemental yet curious, and helpful to Alvin's cause and journey. They too learn something. Also, the cinematography of the vast farming landescapes, small towns, and country backroads are some of the best parts of the movie. The pacing of the film is breezy and low-key allowing the viewer to relax and "ride" along with Farnsworth/Alvin's experiences with no indication of surprises or harm to the character (except for a couple of occasions of the riding mower breaking down or stalling). Overall, a film with the commentary of determination, a simple way of life, and that decency can still be a film's selling point.
13 Trials and Triumphs of the Human Spirit
I grew up in the type of farm country depicted in this movie, and now live on the East Coast in a town that's too small to have its own cinema. I am starting a monthly film series at my church based on the theme "Trials and Triumphs of the Human Spirit." I selected The Straight Story for its perfect simplicity and unobstructed view right into Alvin Straight's heart and soul. Other films which will be shown because they depict men who, in spite of obstacles and difficult lives manage to touch other lives in positive ways include: The Heart is a Lonely Hunter, The World of Apu, and Cinema Paradiso. I would love to hear other suggestions.
14 Very good
I believe this is one of the best films I have seen in years. At first I thought it was a little slow. Then I got in to it and got hooked. It was awesome when I found out it was a true story.
How does the Academy Awards miss stuff like this?
15 The Disneyfication Of David Lynch
Not to be unaffected in the world-wide Disneyfication phenomenon, David Lynch has produced a wonderful work. Often, this director's films have a dark seething theme that overpowers his beautiful interpretation of image and sound. In this film, the mid-American farmlands of Iowa in the summer seem to have softened that darkness, but Lynch's laser-like vision and stark presentation of the unusual have remained.
16 Richard Farnsworth and Sissy Spacek deserve Academy Awards!
Why the heck Farnsworth and Spacek didnt win academy awards is beyond me! Farnsworth plays a stubborn man well into his 70's and spacek his slow daughter, who just wants the best for her dad. when his brother has a stroke he drives a lawnmower about 300 miles to see him. of course he didnt drive a car, no license and his eyesight is failing. the whole cast is great even in litle roles bruce mcgill as a man who sells farnsworth his lawnmower. the music is good too. wouldnt mind having the soundtrack. this is a movie you can recommend to anyone. its a sweet movie that gets richer with each viewing. highly recommended!
17 Remembrance of things past
"The Straight Story" is a true story about a 73 year old man who drove 300 miles on a riding lawnmower to visit his estranged brother who has just had a stroke. Why did he ride a lawnmower? Well, as he tells almost everyone who asks in the movie, his eyesight is bad and he doesn't' have a drivers license. Alvin Straight is opinionated, pigheaded and cantankerous - he is not a particularly intelligent man but when he speaks, his carefully chosen words speak volumes about life. He meets many people along his five-week journey and along the way, he ruminates about mistakes he made in his life, human nature as well as the wisdom and downfalls of old age. Above all, he dispenses common sense, especially to those in need of it.
Like Alvin's character, this is a simple film, brilliantly filmed by director David Lynch, but one that will stick with you long after the final credits. Richard Farnsworth received a well deserved Academy Award nomination for Best Actor (he committed suicide one year later after being diagnosed with terminal cancer). Sissy Spacek is, as always, wonderful as Alvin's daughter, a semi-retarded woman who herself lives in the shadow of a devastating secret. But all of the actors in this film are great, even the ones who only have brief scenes. The cinematography is wonderful as well with the camera sweeping across the prairies and plains of the Mid-West.
It may come as a surprise that this film was made by David Lynch, the director who has made such unconventional films as "Blue Velvet," "Naked Lunch," and the tv series "Twin Peaks." For those familiar with his work, it may seem unbelievable that this is the same David Lynch, but it shows the true mark of a gifted and versatile filmmaker.
18 A straightforward story honestly told.
A wonderful gentle movie that I'm still enjoying after several viewings. Clearly Mr Lynch is not afraid to experiment and deliver something different and this is so unlike his previous output. Judging from some of the reviews this is not a movie for everyone but fortunately the one or two stars are in a minority. Most of the others, like me, appreciated the slow moving (just like five mph Deere mower) unfolding of Alvin's big adventure and the folks he met. Where else other than the Midwest, where honesty comes as standard, could this story take place.
There is so much to enjoy! Angelo Badalamenti creates the perfect bluegrass style theme music, cinematographer Freddie Francis captures the gorgeous colors of the Midwest, the actors and especially Richard Farnsworth sparkle. Great lines, too, Alvin says to a hitchhiker, who has run away from home and shares a meal with him around the campfire, "A warm bed in a house sounds a mite better than eating a hot dog on a stick with an old geezer travelling on a lawn mower".
The 'Straight Story' is a little gem and I bet I'll still be enjoying its warmth and honesty for a long time.
19 Good Film for all
The film is a real look at what it is like in middle america. The People more than anything want to succeed, and they will do whatever it takes to make it to their goal. The Main Charactrer goes through anything that he can to get to see his brother. It causes you to look back at your life and see if you are working hard to do things you need to or if you are blowing them off. I am giving it 4 stars only because there is a ton of slow moving scenes in the film, but otherwise it is great.
20 This IS a family movie
My children (ages 4, 5, 8, 10, & 12), my wife, and me all loved this movie. Usually G-rated stories do not have much depth or complexity, but this one most certainly does. My whole family sat through the entire movie and thoroughly enjoyed it. Of course, it helps that Richard Farnsworth is familiar to all of them, having starred in another family favorite, the Anne of Green Gables series. The kids even asked that we buy this movie, which I plan to do, Lord willing. Highly recommended.
21 The most boring movie I have ever seen
I am not one to whine, but I, with all sincerity, CANNOT fathom the raves this movie is getting. The reviewer that noted that 2/3 of the movie is looking at the man, his machine, and dashed yellow lines in the road was absolutely right. Other than "The Old Man and the Sea", which is dominated entirely by a BORING monologue, this is THE MOST BORING movie I have ever seen.
My whole family was raving for days about how terrible it was.
By the way, if you are still planning to spend the money on this, let me add one thing. You couldn't GIVE me $20 to watch this movie again!
22 The Straight Story
Patience pays off while watching this movie. It starts out a little slow, but if you stick with it you will become immersed in a rich and touching story. The message in this movie is conveyed without being preachy or saccharine. The cinematography is beautiful and shows the actual route that Alvin Straight traveled from Iowa to Wisconsin.
23 The Straight Story: A show of good family values and morals
The Straight story is a show that my whole family enjoyed. As a Christian family,We have tried to be choosy over the years about what our kids watch.The Straight Story is one of our favorites. It has very little bad language and nothing at all that is morally compromising. It is a great display of what family should be about and also of people helping people whenever they can. Our three teenage sons enjoyed it as much as my husband and I did. It is nice to find an entertaining film that does not rely on special effects, violence, or sexually compromising situations to keep it interesting. I highly recommend it for everyone.
24 A really wonderful film
When you first think of the name David Lynch, you would think more in the sense of R-rated, kinky, violent and vulgar films. Not this one. The Straight Story, an even cleaner film than his 1980 Elephant Man, could not be more G-rated. But Lynch shows us here that he does not need to use his common elements to make a great film.
The transfer:
Theres really nothing wrong with this transfer, although there shouldnt be, considering that it was made about 4 years ago. You get a nice 5.1 surround, and clear picture, and a very wide presentation.
Thre supplements:
Nada. Actually, on the whole disc, there is only 2 menus. The only thing that makes this disc sold without a box is a trailer, and a little note from Lynch himself explaining why there isn't any chapter stops (sadly, for most this film would have to be seen in parts, unless your so comfortable in your seat you dont want to get up).
For kids?
Although this is G-rated, anyone under 10 would fall asleep in less than 10 minutes. Forget children, most adults would not have the patience for this film. But if your children do have patience, absolutly. There couldnt be less wrong with this film. A wonderful, warm hearted slice of life.
25 Gettin' the Straight Story
Based on a true story, director David Lynch delivers a subtle, slow-moving tale of a 73-year-old man's journey to see a brother he hadn't seen in years. Late veteran actor, Richard Farnsworth as Alvin Straight lives with his daughter Rosie Straight (Sissy Spacek). Alvin, wise in his years, decides to make the journey on a John Deere lawn mower. Traveling miles across the rural countrysides from Iowa to Wisconsin, to settle his differences with his brother Lyle who is seriously ill. Along the way he meets people who understand his wisdom and help him along in his journey to find his brother. It's a study in family relationships that even though whatever separates family there's a bond that still makes you family. Alvin knows that before he dies he want to let his brother know they're still brothers. In Alvin's words,....tie them sticks in a bundle and try to break that' Course they couldn't. Then I'd say, 'That bundle...that's family.' As both, Alvin and Lyle seeing each other for the first time in years. They sit quite on Lyle's porch and ponder in thoughts and fades into the cosmos. It's something spiritual that passes between the two. A peaceful moment that finds redemption. It's my kinda movie!
26 A MUST WATCH!
This is an excellent film! I am not one to look for movies about old men on John Deer Tractors, BUT this movie is moving! The best part about this film is the beautiful music and scenery! I never thought I would find wheat fields beautiful, but this changed my mind.
27 Slow is good
Richard Farnsworth stars as Alvin Straight in a David Lynch departure: a G-rated film with no weird subtext. The Straight Story is the simple tale of a 73-year-old man who travels on his riding lawnmower over 300 miles to see his estranged brother who just had a stroke.
The film takes its time telling its story, giving us plenty of opportunity to study Alvin and all the characters he meets along the way to Wisconsin to see his brother Lyle (Lynch regular Harry Dean Stanton). Alvin leaves his daughter (Sissy Spacek) to take what he feels is his last opportunity to make up with Lyle. Farnsworth is the show here, though, and he never stoops to make Alvin pathetic or pitiable. His strength (some may say stubbornness, but there's no meanspiritedness about it) should be an inspiration; he has to walk with two canes so every step is a journey in itself.
David Lynch surprised many people (he hasn't told a "straight story" since 1980's The Elephant Man) by delivering a film that does not manipulate and never sentimentalizes--and it's not weird! There is a moment near the end where true feeling is elicited (probably more so if you have a sibling, as I do not) but it is not forced. This true story is a drama of a different kind, one that Hollywood couldn't repeat if it wanted as this type of film depends on the perfect combination of story, director, and actor that rarely comes together. We should feel lucky that The Straight Story was even made and appreciate it for what it is, and for what it tells us about the potential of ourselves.
28 The kinder, gentler David Lynch movie.
"The Straight Story" has the gorgeously colored, semi-surreal look of a typical David Lynch movie, but here the surrealism is lyrical and benign. There are no armies of insects fighting to the death underneath the amber wheatfields, no severed ears in the pristine woods. The overweight next-door neighbor, sunning herself while eating pastel-colored Hostess snowballs, may look weird, but she's perfectly nice. As the title implies, this is the "straight" and deceptively simple story based on the true tale of Alvin Straight, an elderly Iowa man who, hearing that his long-estranged brother has had a stroke, wants to go to Wisconsin and mend fences with him. Too incapacitated himself to drive a car, he hitches a trailer to his riding lawn mower and spends five weeks driving the 300 miles along country roads to his brother's house. That's all there is to it, but it's incredibly moving, thanks to Freddie Francis' gorgeous photography of the Midwest countryside and Lynch's poetic direction. Above all, what makes this movie worth seeing is the exquisite, deeply moving performance of Richard Farnsworth as Alvin Straight. Silent for long stretches of the film, Farnsworth tells the story of Straight's life mainly through his eyes, showing a world of stubborn decency and bitter regret. When Farnsworth does speak--such as his monologue in a bar about his World War II experiences as a sniper--you will never forget it. There is only one recent screen performance that is at all like Farnsworth's--Adrien Brody's in "The Pianist." There is also Sissy Spacek's performance as Straight's mentally challenged daughter Rose; although Spacek's performance seems overly mannered at first, she keeps revealing telling details about Rose until, at the end, her performance is as haunting as Farnsworth's own. "The Straight Story" may have the look and slightly off-kilter feel of a David Lynch movie, but at heart it resembles another recent Disney-released movie, "The Rookie," which also is deeply concerned with the love of family and the need for second chances in life. Both movies are beautifully realized, but "The Straight Story" is an authentic American masterpiece.
29 Straight from the Heart
Someone once ridiculed me because I said I loved this "old person's movie". Indeed this movie lacks the sex and violence and sarcasm that dominates today's Gen Xer's video library. But does that make it a film intended strictly for the geriatric crowd? Heck no!! It's one of THE best movies I've ever seen. Perhaps it's because I grew up in a small Illinois town, pop. 550. Perhaps it's because Alvin Straight reminded me so much of my own dad puttering around on his tractor. Perhaps it's because it was so realistic and sweet...whatever the reason, this movie touched me down to the core.
I love films based on real-life. Sissy Spacek is cute and believable as Rose. Her stuttering and simplistic portrayal made me feel Rose's pain. And Mr. Farnsworth's interpretation of Alvin is stunning. He is a simple man, there's no doubt about it. Anyone who would jump on a tractor and drive himself hundreds of miles without investing in a bus ticket or thinking to go to the local church to ask for a ride is someone who clearly doesn't accept charity. He probably never considered himself needy. This was his last goal in life, to mend fences between he and his brother.
Who didn't grab a hanky at the last scene when they finally reconcile in their quiet, simple way? Too many words pass between people today. If everyone was an Alvin Straight, we'd be doing a lot more thinking and a lot less yammering away.
I could rave on and on about this movie, maybe because I'm a country girl at heart. It's a family movie, although young kids will probably get bored. It's not fast-paced, and if you're looking for a climax, you're probably not going to get it. However, if you and your sweetie just want to cuddle up while watching something sweet and adorable and redeeming for the human soul, this is it. And the soundtrack is a MUST. "Rose's Theme" is the best song on the track although all the songs are beautiful and fitting.
30 STRAIGHT TO THE HEART.
ITS A WONDER MOVIES LIKE THIS EVEN GET MADE. THEY HAVE NO EXPLOSIONS, NO PERVERSE SEXUAL CONTENT, NO SURREAL VIOLENCE AND NO PROFANITY. A FILM YOU CAN WATCH WITH YOUR KIDS, YOUR PARENTS AND YOUR MINISTER.
THE ACTOR RICHARD FARNSWORTH COMITTED SUICIDE SHORTLY AFTER WORKING ON THIS FILM. HE WAS TERMINALLY ILL AND TIRED OF THE PAIN. THATS SAD, BUT THE MAN WHO STARTED OUT AS A COWBOY HORSE WRANGLER ON OLD WESTERNS LEFT US WITH SOME MAGIC AND THIS, HIS FINAL FILM IS A SMALL PART OF IT.
PROBABLY ALL THINGS CONSIDERED, THIS IS THE BEST PRODUCT TO COME OUT OF HOLLYWIERD IN THIRTY YEARS.
FARNSWORTH PLAYS ALVIN STRAIGHT, A MEDICALLY CHALLENGED SENIOR WHO WANTS TO GO VISIT HIS AILING BROTHER IN A BORDERING STATE AND MAKE AMMENDS. HIS ONLY MODE OF TRANSPORTATION, A RIDING LAWNMOWER. HE SETS OFF ON HIS PILGRAMAGE WITH WORRYING DAUGHTER BEGGING HIM NOT TO GO.
SISSY SPACEK PORTRAYS THE DIFFERENT DAUGHTER. SPACEK IS THE BEST ACTRESS ALIVE AND TURNS IN YET ANOTHER ASTOUNDING PERFORMANCE, MUST HAVE SOMETHING TO DO WITH THE FACT THAT SHE HAILS FROM TEXAS.
STRAIGHT ENCOUNTERS VARIOUS TRIALS AND TRIBULATIONS ON HIS JOURNEY AND INTERSECTS WITH SOME INTERESTING PEOPLE.
HIS HOME SPUN ADVICE HELPS A YOUNG RUNAWAY FIND HER WAY AND STRAIGHT HIMSELF IS ASSISTED BY GOOD SAMARITANS.
THIS MOVIE IS ABOUT A SIMPLE TRIP FOR THE GOOD OF TWO BROTHERS THAT INSPIRES A HOST OF OTHERS TO HELP EACH OTHER AND THEMSELVES IN THE BARGAIN.
IT IS A WELL DIRECTED, WELL ACTED MORALISTIC STORY ABOUT REAL FOLKS IN THE REAL WORLD.
IT WILL GIVE YOU THAT WARM COZY FEELING THAT MOVIES USED TOO, BACK BEFORE HOLLYWOOD WENT TO HELL IN A HANDBASKET.
31 A beautiful, economical and heartfelt film
David Lynch, one of the contemporary cinema's true magicians, converts his power to casting white magic in this quietly intoxicating ode to silent reflection and natural beauty.
One of the great keys to telling a great story on film lies in not what is said and done, but often what isn't. This is admittedly what often turns me away from Lynch's other works. Here, he embraces economy and finds gentle hope in America's heartland.
"The Straight Story" is exactly what the title implies: a story about sticking to the essentials of honest linear narrative structure and leaving out anything extra. It is so promising that this film was made even at all. All too often, Film makers treat their audiences like idiots and feel that every motivation, thought and reaction must be dictated through rapid editing, snappy one-liners, super stunts and CGI effects all set to a blaring soundtrack.
"The Straight Story" is a movie about quiet truths and requires the audience to fill in the blanks. Fine case in point: in the film, Alvin Straight (Richard Farnsworth) listens to a woman vent about running over deer. As she screeches off in her compact car, Alvin simply stares down at the deer. Usually, the filmmaker will insist upon some quick quip that comments on the action and the character, but not here. We simply move on to see Straight cooking a piece of venison over a campfire while being stared at by a molded plastic deer lawn sculpture. The scene where Farnsworth and another aged actor whisper and bare the scars of the their wartime experiences is also another fine moment that simply happens. Lynch allows the camera to lovingly and tenderly hold on his actors' beautifully weatherbeaten faces. These are wise men who have seen much more than we could ever possibly imagine.
Sissy Spacek, Richard Farnsworth and the rest of the cast give fully fleshed out and three dimensional characters. The film is quietly moving without the slightest hint of sentimental seasoning. It earns its happy ending honestly. Thank you David Lynch for creating a genuine near classic work of American Film Art. A worthy addition to any home film library. And one the entire family can watch and enjoy.
32 "That bundle . . . that's family."
Seeing a "G" rated movie in this day and age is unusual. Yet that's nothing compared to the departure cult director David Lynch made in making this film. This film is not a head trip like Mulholland Drive. It's actually the most straightforward film made in a long time. Does it work? Well . . . not really. The Straight Story is the story of Alvin Straight (Richard Farnsworth), a simple man from a small sleepy town who discovers that his brother is dying. Straight resolves himself to see his brother one last time but he has a problem - his vision is so bad he can no longer drive. He, therefore, comes up with a novel solution - he will make the 300 mile trek on a tractor-style lawn mower. This literal journey is accompanied by another journey Straight makes into his past as he recalls memories joyful (stargazing with his brother) and painful (an unfortunate incident while serving in the army). Farnsworth gives a sweet and sincere performance but aside from that, the film is long and dull. The characters Straight meets along the way are great representations of real-life people. However, that's the problem. Real people can be unfortunately uninteresting at times and this film proves that point. None of the characters Straight encounters can provide a spark to the film. There's a momentary jolt of energy when Straight meets a woman who is distraught over hitting "another" deer on a country road but that sequence is over in a flash. The final reunion with Straight's brother is also strangely unfulfilling. In fact, unfulfilling is the one word that perfectly describes this film as a whole.
33 A tender story of age and reconciliation
Most film buffs would be surprised to find David Lynch directing a gentle midwestern film about an aging man traveling hundreds of miles on a John Deer lawn tractor. Alvin Straight (played by Richard Farnsworth) is near perfect in the central role. Sissy Spacek plays Alvin's developmentally disabled daughter.
In an age filled with shallow, violent and self-serving movies, this is a rare gem. This a move you can watch with your child or grandparents... though I think it best appreciated by those who have grown old enough to have less life in front of them than in the rear view mirror. The soundtrack for the movie is extraorinary and has a permanent place in my CD player.
This is a wonderful film to give as a gift. Watch it once and you'll understand.
34 beautiful
All I can say besides the solid performances by Farsworth and Spacek, and the gripping simplicity of the story is that it was so beautiful that I wanted to cry.
35 Love's Highway
There are very few films that I gush over, and this is by far close to the top of my list. I'm not into tons of verbage describing the film's plot, neither am I in the habit of offering any verbose or superfluous words in writing a review on it. Having said that, this film is a gem. I watched this alone, by accident, while channel surfing one evening. At film's end, I ended up bawling like a baby. That hardly, if ever happens. This story is so unique, with so much care taken into making it that you would have to be blind not to recognize the true genius of it all. It has just about every emotion that we have inside us wrapped like a gift sitting under a Christmas tree waiting to be opened. This film will stay with me forever. The best advice I can give is just to see the damn thing! If it doesn't move you, then I am truly sorry.
36 Fine warm film
I don't have much to add about this movie. It's a touching story done with great effectiveness. ... I thought it was dead on, having known someone with a similar condition. Hope this guy learns a little humanity.
37 An American Classic For Everyone
David Lynch has created a unique and touching vision of the heart of America. This film is so great, so addicting that I feel it is a disservice to try to describe it in words. It is heartfelt. It is sad. It is celebratory. It is a global cinema classic. It is a glimpse into our nation that most of the world never gets to see. Stop reading this review right now and buy, rent, or borrow this movie.
38 A wonderful, fascinating film
Wow. I had wondered if Lynch would be able to place his signature "stamp" on a G-rated film, but that is just exactly what he did. This film is as Lynchian as any of his other works. David Lynch's filmography is probably the strongest argument for the "auteur" theory I've ever encountered, or at least as strong an argument as Kubrick's, or Spielberg's.
Anyway, it was great to see so many of the Lynch Regulars -- Freddie Francis, Angelo Badalamenti, Jack Fisk, Harry Dean Stanton, Everett McGill -- pop up in the credits and in the film.
Richard Farnsworth delivers an amazing performance; he really conveys a very strong sense of what it must be like to be old, plus he has great support from a fantastic script.
In fact, I found one of the most fascinating things about the script to be that it allowed its senior citizens to have not only a pulsating and vital inner life, but also a fully-realized external life, and an equally vivid personal history, as well.
What I mean is that in this film, we see old people exactly the way we might see ourselves when we are old; we want people to know that we're not just aged, wizened baldpates; we've lived a lifetime's worth of experiences and had adventures most people could never imagine that we've had. I love the scene in the bar when Alvin and the other fellow are comparing WWII stories, and we realize that Alvin is so much more than just some ornery ol' coot.
Anyway, it was beautifully shot and brilliantly directed, but it loses some cachet because I genuinely disliked Sissy Spacek's overly mannered performance. We get the point, Sissy, your character has some developmental problems. Now, rein it in, sweetie: Oscar is watching and he does not approve.
39 Brilliant Film from One of the Best Living Directors
Love him or hate him, David Lynch always manages to surprise. With "The Straight Story," a G-rated family film released by Disney (surprised yet?), he gives audiences a reason to sit and ponder reality - to look up at the stars and imagine, and to look at friends and family with love.
Alvin Straight (Richard Farnsworth, in his last movie role), a mostly-disabled farmer living with his slow-but-gentle daughter Rose (Sissy Spacek), learns that his health may be declining after both his hips give out. His doctor tells him that unless he quits smoking and begins to eat well, he will have more serious health problems. Then, Alvin gets a phone call from his brother, Lyle, who has suffered a stroke. Alvin and Lyle have not spoken in years, and Alvin decides to go visit. With bad eyesight and a daughter who cannot drive, Alvin sets off across Iowa to Wisconsin on a riding lawnmower, trailer in tow.
Along the way, he meets a variety of people who help him out, and talk with him about his trip and why he's going. As he meets different people, more of Alvin and Lyle's background is revealed, and the good nature of the main character becomes apparent. Lynch is a master filmmaker, and in his hands this script becomes magic. It moves along at a lawn-mower pace (pardon the pun), preferring to focus on character and dialogue than action, weaving an amazingly-accurate portrayal of middle-low-class Midwestern life. Lynch is known for his attention to detail, and he does not disappoint: most, if not all, of the film was shot on-location and in real buildings (as opposed to soundstages), and he bucked convention and cast real-life people in real-life roles. These aren't liposuctioned models or Hollywood pretty-boys; women have cottage cheese on their legs, men have scars and stubble, clothes are dirty, hair is greasy, and houses are dirty - in other words, it's got a sense of verisimilitude rare in any film.
"The Straight Story" is, in many ways, an anti-"Blue Velvet" or an anti-Tragedy (in the true meaning of that word). Like "BV," it offers an unflinching view of middle-class life, but instead of the constructed, artificial town of Lumberton, "The Straight Story" offers something more like a documentary look at people. Although no one in the film moralizes, and Lynch certainly doesn't use his camera to preach, what "The Straight Story" manages is to paint a view that, at their hearts, people are basically good. While bad people, car chases, explosions, and Evil Warlords might make a good movie (or a profitable newscast, depending on your level of cynicism), it's refreshing to see a master present a project that reminds us that, at our core, we are all good people, and it's really not that difficult to be good to each other.
As for the DVD, I think it goes without saying that watching Lynch's films in anything but widescreen is a crime, so it's good they gave us a solid, anamorphic transfer. He doesn't like extras, so everything is bare-bones, but considering the quality of the motion picture, the price can be forgiven.
Final Grade: A
40 Don't waste your time
Quite simply, this was the worst movie I have ever seen. This guy decides to ride his lawnmower half way across the country to see his long lost brother. Good for him. I wouldn't do it, and did not appreciate being along for the ride in this awful movie.
For some background info, I am not a David Lynch fan. I enjoyed Blue Velvet, but have pretty much hated everything else by him. But this is the worst.
41 Another side of David Lynch
Many of the below reviews explain why this film is excellent. I wanted to add that it's not an atypical Lynch film. Not very like his past efforts, yet his hand is evident.
Lynch has always been fascinated with texture, long drawn out closeups of normal surfaces, and there is that (the corn fields, the highway). There are (mildly) quirky characters and incidents (the deer lady; the repairman brothers -- one with an unusual bandage, of sorts, on his chin). There are otherwise normal characters carrying dark secrets (the vets discussing World War 2).
And while Lynch has always been fascinated with the dark secrets beneath Middle America, he's also long evinced a genuine love for Middle America. His tales tend to be about innocents who are attracted and drawn into darkness, yet they are at the same time genuinely innocent. And Lynch has never mocked them for their innocence, just as he does not mock them for their quirks.
The Straight Story emphasizes this softer side of Lynch -- his love of Middle American innocence -- but that's always been an element of his work, albeit under-emphasized in Twin Peaks and Blue Velvet.
Likewise, Lynch's longtime music collaborator, Angelo Badalamenti, creates a score that's also softer yet typical of Badelamenti's work.
The Straight Story is masterpiece that stands on its own, but it remains a Lynchian masterpiece.
42 Simpler than
No snake skin jackets. No Micheal J. Anderson. No Black Lodge. No Hollywood. No deformed Englishmen. No angels under the radiator. No Kyle MacLachlan. No sci-fi spectaculars. No Marilyn Manson cameos. No identity swapping. No "I have your disease in me now." Yes, sir, this is not your typical David Lynch film.
The first time I saw this, I was blown away by the almost void of idiosynchcrasies. There is the occasional "party" reference to remind you that you are still watching a film by THE David Lynch but it is mostly just there to tell a most unusual true story about brotherly love and devotion. This is Lynch's first true story film since "Elephant Man" and may be his best overall production since. Before this, people said his strongest, most put-together film was "Blue Velvet," but now it has been replaced with this gem. It contains the final performance of Richard Farnsworth (who, I think, SHOULD have won the OSCAR that year. Sorry, Mr. Spacey). And marks the first time the wonderful Sissy Spacek (who has worked with Lynch since "Eraserhead") has acted for Lynch as Alvin Straight's most secretive daughter. Though most Lynch devotees will be bored senseless while waiting for things to get "wierd," most viewers content with watching G-rated, Disney-distributed films will find inspiration and enjoyment at watching the old man go all of that way, even if Lynch might be discreetly mocking him at times (just look at that shot of Alvin going only abut five yards after fifteen seconds when the camera goes up and comes down on him). The Badalamenti music (see, this film isn't so unusual for Lynch, after all) is also top-notch, even if if it doesn't always mix with the final picture completely at times. Overall, a triumph for Lynch and its actors. This deserves to become a family classic!
43 Balm for a transplanted Midwesterner
This film perfectly captures the pace of small town life in the Midwest; the old men who spend the last years of their lives sitting around the hardware store or the tavern, people who can make an afternoon's entertainment watching the volunteer fire department burn down an old house for a training exercise, who still say sir and ma'am and who wouldn't presume to make a long distance call on your phone without paying for it. I recognize these people. They aren't fancy pants Hollywood stars made up to look like midwesterners; they're genuine, the neighbors, aunts, and uncles that I grew up with.
The pace could be called slow, but to me it feels serene and peaceful. It's a calming balm after a day of fast-paced west coast life, like a trip back home to remind me of who I am.
44 BASED ON A TRUE STORY
THE BEST THING ABOUT THIS MOVIE IS KNOWING THAT IT WAS BASED ON A TRUE STORY. RICHARD FARNSWORTH PLAYS THE PART OF A LIKEABLE CHARACTER WHO ENDS UP DRIVING A RIDING LAWNMOWER ACROSS SEVERAL STATES TO SEE HIS BROTHER. THE REASON WAS HE COULD NOT SEE WELL ENOUGH TO DRIVE SOMETHING MORE CONVENTIONAL. THE SCENERY WAS BEAUTIFUL AND BREATH TAKING. IF YOUR MORE INTO ACTION ADVENTURE, YOU MAY FIND THE MOVIE TO SLOW AND BORING. IF YOU LIKE THE THOUGHT OF EVER TRAVELING BY "OTHER" THAN CONVENTIONAL METHODS YOU MAY FIND THE MOVIE DELIGHTFUL.
45 the character of a character actor
This is not just the true story of very determined man named Alvin Straight, it is also a truly straightforward story, an unusual thing in modern movies
and a real surprise coming from David Lynch. With his own mortality staring him in the face, Alvin Straight, 73 years old, decides to go visit the
once beloved brother, Lyle, from whom he has been estranged for ten years, their quarrel a product of sibling rivalry as old as the Bible and the
baleful influence of liquor. What might have been a simple enough five hour car ride becomes an epic journey when he decides to travel the 300
miles from Laurens, Iowa to Mt. Zion, Wisconsin on a riding lawnmower :
I've got to go see Lyle, and I've got to make the trip on my own.
Along the way he meets a young runaway girl; a woman who plows into a deer in front of him, apparently a near daily occurrence for her; a couple
who allow him to spend a few days with them after he fries a motor on a steep downhill grade; a fellow WWII vet tending bar; and finally a pastor in
whose cemetery he stops overnight. Over the course of the six week sojourn he slowly reveals himself and his regrets for his part in the feud that has
separated him from his brother. As he tells the pastor:
I want to sit with him and look up at the stars, like we used to, so long ago.
When finally he gets to Lyle's place, his penance done, the two do indeed sit in comfortable silence on the front porch, as the stars come up
overhead. It's the kind of speechless togetherness that only people who truly love one another are capable of maintaining and enjoying.
This is entirely Richard Farnsworth's film, a role he richly deserved after a lifetime in the movies. He began in Hollywood as a teenager in 1937,
doubled for Roy Rogers and Gary Cooper, drove a chariot in The Ten Commandments, worked as a stuntman, a role player, and only very
occasionally the lead. Farnsworth was one of the few truly conservative people left in Hollywood and maybe the only one in recent memory who
sometimes turned down films that failed to meet his own ethical standards--as regards profanity, sex, and violence. Somehow--and I've no idea
how--that integrity was etched into his face.
In the underrated movie The Big Kahuna there's a scene early on where a young man tells Danny DeVito that a secretary said he'd be easily
recognizable because his face has character. Later on there are scenes where DeVito is almost preternaturally calm and the only forward momentum
of the story is supplied by that character-filled face. Farnsworth had such a face too and that's an exceedingly rare quality in any human being, but
especially an actor, particularly in a day and age when special effects, plastic surgery, and bad scripts have made it easy to cast pleasant looking idiots
in most movie roles. Recall the scene in Sunset Boulevard when Norma Desmond (Gloria Swanson) says : "We had faces then". In that silent era
faces were required because they had to communicate. Today, when the films don't even bother trying to communicate anything, who cares if the
faces say anything? Well, when you see what a real face, like Farnsworth's, can convey, you'll realize what we're missing.
Fittingly, this was Richard Farnsworth's last role. Like Alvin Straight he went out on his own terms; stricken with a painful terminal cancer, he shot himself on October 6, 2000.
GRADE : A
46 If you have no room in your life for sentiment
you might as well be dead. This is a beautiful movie. I'll admit that it is really American, though. One of the most American movies ever made. If you want to try to understand our people, you can start here. I will guarantee that it's less stressful than trying to understand Arabs.
47 Wisconsin...I hear it's a real 'party' state...
First, let me disclose my bias that I am a HUGE David Lynch fan. That being said, let me also say that in no way does that sway my opinion of this movie. Yeah, right. No, seriously, it doesn't. Why? Well...
To begin, this is the most un-Lynchian movie D.L. has ever created. I say that with somewhat of a "grain of salt," but I think most stalwart Lynch fans will understand my meaning. This is simply unlike ANYTHING he has ever done. Period. There is definitely a linear, less-is-more, mentality in this film. It is immediately touching and kindles the very most basic humane spirit that (I would like to believe) dwells within us all.
Perhaps the subject matter is the major reason why that is the case. But simply put, this movie is wholly and completely beautiful. Every facet of the movie just drips with beauty. Whether it's the gorgeous sunrises or sunsets over the plains, or whether it's simply LISTENING to Richard Farnsworth (aka "Alvin Straight") talk as the viewer stares into a campfire...watching the flames dance around the logs thrown on top of each other. Whether its seeing the huge amount of road that lay before Alvin Straight, or whether its listening to him haggle over prices of tractor repairs or a "grabber." Every where the viewer is taken, is beautiful.
What else? My God, Harry Dean Stanton. Can I just digress for a moment and ask: "WHEN IS PARIS, TEXAS GOING TO BE RELEASED ON DVD?" The agony of going with out it (save for an extremely well-worn VHS copy) is torture. At any rate, enough of that. My point is this, Harry Dean Stanton (in the words of David Lynch) "rocks." He is an amazing actor. Pure brilliance. Even his (roughly) two minute appearance in this movie makes it that much more complete. As an aside once more, Harry Dean Stanton always reminds me of (the old, not young) Chet Baker (of trumpet-playing fame). Anyone else?
Which brings me to my next amazing person: Sissy Spacek. As always, she delivers and impeccable performance as the mildly-brain damaged daughter of Alvin Straight. Once again Ms. Spacek, kudos.
Of course, the man of the show is the late Richard Farnsworth. Many may remember him as the sheriff in Stephen King's "Misery." His performance here is just heart-stopping. He was an amazing man, who was perfectly suited for the role of Alivn Straight.
Musically, as with any Lynch film, it is beautiful. Angleo ("The Bad Angel") is here again, delivering a more restrained, yet equally capturing, score. There are very brief moments, that, just for a moment, you can hear remnants of Twin Peaks' material showing their presence (particularly in the very beginning of the film).
There are so many images that come to mind during the course of watching this film. You are drawn to a variety of mediums from Lynch's imagery. For instance, the descriptions of the plains that Willa Cather used in her book "My Antonia" came to my mind. Then, for some reason, Steve Earle's song "The Road Goes On Forever" came to mind. The ability of a director to instill (or rather, recall) memories within the viewer's mind is something that is not achieved frequently. Here, Lynch does it perfectly.
Lastly, despite the fact that this is a G rated movie, and despite the fact that Disney is behind it, it is not a children's movie. That is, it is not for kids. Older kids will appreciate the message this movie delivers. However, younger kids who just finished watching Barney or Rugrats will probably not even understand what is going on within the film.
To make a long (winded) review longer, get this film as soon as you can. The DVD (technically speaking) is beautiful and I applaud Lynch for not inserting chapter breaks. But more importantly, the film itself is beautiful and moving and will touch you permanently.
48 One of the Best of 99
Richard Farnsworth, and his tallent seemed to walk hand in hand, because he was so naturally gifted on screen. From Anne of Green Gables, to The Natural, and even Into the Night, Farnsworth has always done a sure-fire method of humble acting. His gifts, even while under physical pain, were just as evident in the Straight Story.
The 73 year old, cigar loving, veteran, Alvin Straight finds out that his brother is sick, and must go on a journey of forgiveness. He and his brother have resentment in their past and have avoided one another for decades because of a simple argument. Sissy Spasek plays his loving and mentally handicapped daughter. This is one of her best performances (next to "A place for Annie").
The mode of transport? An old John Deere lawn mower. Along the way he encounters many people and touches all of their lives. Most memorably the life of a teenage runaway, who is afraid to tell her parents that she is pregnant.
There is one scene that closely reminds me of the "Carl tells his Past" portion in the opening of Sling Blade. It is truly haunting as Straight tells one of his new found friends (also a veteran - Straight tells him he could see it in his eyes) about a memory from the war.
The ending of the Straight Story is one of the most rewarding endings you will ever see. It is a simple moment of true emotions and is everything it should be. ~s.a.o.s.~
49 Harry Dean Stanton rocks
The quotation from Lynch in the soundtrack lets you know what you've been thinking all along: that David Lynch intends this to be taken both sincerely and ironically.
Priceless, if for no other reason than the unforgettable last few seconds with Harry Dean Stanton.
50 Definitely not American Beauty!
American Beauty came out the same year as this movie and was nominated at the Oscars like this movie. However, of the two, I preferred this one for its look at people who are not jaded, cynical, crazy or mean and evil. The back story of Richard Farnsworth dying by suicide shortly after the Oscars makes his performance all the more poignant. Mr. Farnsworth is a long time actor with a long movie career and his character is an old man with one final score to settle. He doesn't use a gun or treachery to settle it, just old-fashioned forgiveness. For those who think it's a little crazy for someone to ride hundreds of miles in all kinds of weather on a lawn mower doesn't know seniors. Seniors often have lived so much life that they want to do things on their own terms. Some want to make their last peace before their demise.
This movie is slow paced. It's funny but not laugh out loud funny (ex. the scene with the road kill deer). It has moments of tenderness, near tradegy, humor, redemption. It's a good movie to see with the family, especially after a knock-out, drag out fight between a teen and a parent, spouses, parent and adult children or, like in this movie, with siblings. I recommend this movie to see around the holidays instead of "Home for the Holidays" (which wasn't a bad movie, just one I'd recommend for people with non-dsyfunctional families!) so that families can bury the hatchet and appreciate each other. This coming from someone has estranged siblings too!
My husband thought Sissy Spacek's performance was the strongest in the movie and her performances always are. However, I was totally enamored of Mr. Farnsworth who also played in Anne of Green Gables. I guess it's because there are so few good parts for people over 60 and it's also good to see actors who are like Michael Jordan have long careers and go out at the top of their game!
51 Dignity for Disney
It is impossible not to enjoy this rare jewel of a movie. Richard Farnsworth truly deserved his nomination for the role of Alvin Straight.It is as gentle as a summer rain and yet it speaks volumes. I never would have guessed that Lynch and Disney would go together,yet the truth is that the result is something golden.So engagingly simple and sweet and yet it unravels itself like a zen koan. Underlying Alvin's journey is an ever so gentle "taoist" like wisdom that is so subtle it is hard not to be won over by it's charm and simplicity. The Straight Story bought dignity back to the Disney chronology of films, the likes of which has not been seen since "Never Cry Wolf" in the early 80's. I hope this one doesnt get lost and forgotten because it is a treasure that shouldnt be buried.
52 The most American movie ever!
Tarkovsky said once [A. Tarkovsky, Sculpting in Time, 1984] - "... there are only two kinds of directors. The first kind usually creates their own world, sometimes a bit more vivid than reality - Kurosawa, Bresson, Dovjenko, Fellini, Bergman for example. These are usually poets. The second level directors tend to only imitate what they see. They might be good at it, but the fact remains - its an imitation."
David Lynch is not a second level director, that's for sure. His work has been described as bizzare, illogical and disturbing. You either hate his movies and turn off the movie after 2-3 mins of watching, or fall in love with every piece he's ever made. You can not stay indifferent. Just like poetry does not have to rhyme to be poetry, his work does not have to be liked by everybody.
Back to Straight Story.
Here is the scoop: it's a movie about an old man who drove his lawn mower from Iowa to Wisconsin to see his brother who had a stroke.
Not impressed? Wait till you hear this. The lawn mower is a 1966 John Deere and the movie was shot by Disney.
Lets not get carried away here - there is a plus side to it too. The music (as always with Lynch) wrote by Angelo Badalamenti. From the first 2 minutes of the movie you will notice that it is in fact a Lynch movie. However, there is nothing bizzare or disturbing anymore. A lot more calm to. Badalamenti shines in this one. Unbelievable sensuality. You have to be blind and deaf not to get too emotional at the end. I did.
The movie is the best example of what kind of people Americans are - openminded, gracious, companionate.
Highly recommend to Lynch's fans. Don't miss it. Will regret if you do.
53 Pure brilliance
We all know and appreciate Lynch with his twisted movies in which the viewer is forced to expect the unexpected and abnormal. When I heard the news, I was very excited that he was going to shoot a road movie that was nothing to do with paranormals and weird characters. After watching Straight story I was wondering where was he before and why he was not shooting movies like this that can be called normal in his standards once a while.
First of all this is a road movie. But also a movie about an old man who tries his best to achieve what he wants against all odds.
It is also about humanity, respect as well as the elderly people who have seen all about life but either extremely ignored or not remebered. Lynch manages to build a story combining all these elements and making the movie a visual and an emotional beauty.
Straight story takes us in to the heart of America with the real American people who are always there but rarely seen in the hollywood productions as normal,friendly folks.We also enter in to the world of elderly, their limited lives and their emotions. Beautiful camera shots of fields, simple but touching music as well as the remarkable performances by the actors and actresses make this movie a classic. Even during the common road scenes it is difficult not to get very emotional. Lynch not only knows how to get chills to the spine with his previous works, but he also knows how to get in to the people's hearts by a camera.
Overall in my opinion Straight story is an excellent movie which is better than the recent oscar awarded movies with their spoiled million dollar actors and actresses as well as overblown budgets.
A film for everyone and a film to remember.
54 Beautiful, Moving Film
A truly wonderful and moving film. It makes me miss those long trips between cities I take during college and home. I feel sorry for people who live in East Coast cities who will never experience the awe of driving through a rich countryside. Maybe if they watch THE STRAIGHT STORY they'll realize just what they're missing out on.
55 Very Punny
I wonder if David Lynch was drawn to directing this film if only because of the possible title. But, the film lives up to its title, a feat that Lynch familiars should be interested in.
The film is a very simple (true) tale of Alvin Straight, who learns that his brother - who he hasn't spoken to in years - has had an illness fall upon him and decides to go and see him. So, he hops on a riding lawnmower and off he goes. This idea could have easily turned into a silly mess, but throughout, the film is handled with care and sentiment (not sentimentality).
It has a measured pace, so the restless beware. But if you have no problem with the pace of The Sweet Hereafter or Breaking The Waves, this shouldn't be a problem. Lynch explores the rural countryside of America with conscience, it's like a love letter to his Heartland Of America roots.
The plot would be pointless to specifically recount because it would just reveal incidents that happen on Alvin's journey. For the entire film Alvin travels and meets with various people, who are each - in different ways - touched by his presence. We also meet Alvin's daughter, who is interesting, and we learn about one or two of her problems. We learn some of Alvin's past by his tellings with others who he meets.
The score is delicate, alomost mournful, played mostly on a violin.
Without trying to sound too pretentious, The Straight Story may be Lynch's most personal film. It is so unlike David Lynch, that it makes me think it is more David Lynch than anything he's done before. And for Lynch, this G rated film is probably his most experimental.
56 Beautiful
This film is moving, strong, pure, and there are so many other things I could say about it, I'll have to stop now. Farnsworth gives a touching and real performance matched by Spacek at her best. David Lynch keeps surprising, and shows he can do anything he sets his mind to.
57 incredible movie... disappointing DVD
What a waste for such a great movie to have no extras. Also... the lack of chapters is understandable, but at the same time unreasonable. It more irks the viewer than makes him want to watch the entire film over and over. People like viewing certain parts of their favorite movies! That's why they made the DVD format!!!
58 I adore this movie
The tears started in the first minute and flowed to the end. That may not seem like an endorsement to some, I admit I am easily brought to tears, but the strength of this movie is that its sentiment is so real and the tears are deserved.
59 What on Earth were they thinking?
Howdy! First of all, I've seen most of David Lynch's films, and I think this one is one of his best films. It is a surprisingly straight forward film (rated G, for goodness sakes! on a Lynch film??) and boasts some of the best landscape cinematography, in my humble opinion, since Days of Heaven or The Horse Whisperer. It is really quite beautiful. And Richard Farnsworth offers a superb performance as the man who decides to trek cross country to visit his brother (If you don't already know, this film was based on a true story). Those people interested in Mr. Farnsworth's performance should definitely check out Anne of Green Gables (it is always on PBS for fund-raising and it is probably one of the best family films of the last several decades, honestly!).
This film is slow and methodical and is quite a good counter-point to all the MTV-editing style action films of the day. But you can read about the plot elsewhere, I want to say a few words about the DVD itself. This is a STRANGE DVD, to be blunt. I know David Lynch usually does strange things, but this is *really* strange. The video and audio quality of the DVD are quite good - no complaints there. But this is totally bare-bones, only a trailer and nothing else. Nothing. Considering the really hefty price tag this DVD has, that's nonsensical. But the weirdest thing is that the movie is NOT divided into any chapters at all. It's all ONE chapter. So if you watch one hour, plug in a different DVD, and then return to this one, you'll have to fast-forward through the entire movie to get back to where you were. Heaven forbid that you should have a power outage 5 minutes before the end of the movie. I guess Mr. Lynch wants us to watch the entire film in one setting, but really...
So, I rate the film a very HIGH 5 stars, but because of the peculiar presentation of the DVD, I must bump it down to 4 stars. Despite this, I really recommend this film - it's perfect for the family and it even teaches some valuable lessons on the virtues of unity and family.
60 Pass me a pillow
God, this is a film better left on the shelf, trust me. Sure the acting is good, and the general screenpla is good too, but as far as interest goes, forget it, you'll be asleep sooner than the you'd think from such a criticall acclaimed film.From Lnch you'd expect some type of mysterious and intriguing film, something out of the ordinary, but it i so so boring.
61 A Sad Long Road Movie
Compelling art from an artist like the best known TWISTED Lynch, this story brings out the soft spots in Lynch's beautiful work. Straight Story is a compelling, sweet and honest movie about care and family. Farnsworth pulls off a warm, dedicated and lovable performance. Lynch gives the feel of the story as he always does, trademarked with a classic.
62 When real life is better than fiction
Alvin Straight is a man of many years. He has made mistakes, but he has learned when it is time to set aside pride and do what has to be done -at any cost.
Based on an actual event, David Lynch's latest film The Straight Story, stars Oscar nominee Richard Farnsworth playing the role of Alvin Straight, a 72 year old man who knows the importance of family, a good swisher sweets cigar, and the awe of a summer sky. Straight comes to a realization that he is not getting any younger when he takes a bad fall and then receives news that his brother he hasn't spoken to in ten years has suffered a stroke.
Alvin decides he must leave his home of Laurens, Iowa to visit his brother Lisle in Mt. Zion, Wisconsin. Wanting to complete this journey completely on his own, but without a license or a car, Alvin sets out on his ride-on lawn mower.
Alvin meets many people on his adventure north, giving him time to tell stories and give advice backed by his life of experiences. The drama builds slowly, but the overall effect is resonant.
Wanting to capture the outdoors just as Alvin would have experienced it, Lynch insisted the movie be filmed on location as well as in the exact seasonal timeframe. The film moves gracefully through the Midwest American landscape with help from director of photography Freddie Francis, who worked with Lynch on The Elephant Man and Dune.
Designed by Angelo Bandalmenti, the soundtrack behind The Straight Story creeps along in a sleepy tone similar to sound design he did with Lynch for the television series Twin Peaks. It provides the perfect emotional backdrop, taking on a darker theme as Alvin crosses the Mississippi River.
Another aspect of the film that cannot be overlooked is Sissy Spacek's performance as Rose, Alvin's "slower" daughter. Although the majority of the movie revolves around Alvin, her story and character are vital. Spacek's speech, delivery, and mannerisms as simple as washing the dishes are extraordinarily executed.
The Straight Story ends right on time, no more, no less. It is a simple film about a simple subject, leaving the viewer with a gentle sense of calm. As a follow up to Lost Highway Lynch has redeemed himself.
63 "Tenderness can be just as abstract as insanity"
Behind the tenderness and the simple story, there is a characteristically dark current running through the images, music and sounds in this film, a feeling of impending darkness. It never manifests itself, but the feeling is there in the abstract, resounding like the magnificent sounds of a towering grain elevator. A constant reminder that in spite of the film's G rating, this is still a David Lynch picture, and he winks at us with subtle suggestions and imagery that will stay with you long after the film has ended. Beautifully photographed, the film displays Lynch's mastery of mood, composition and colour. His second road movie (after Wild At Heart), a marvel of linear storytelling, and a masterpiece. The digital transfer is beautiful, the colours are vivid, the picture is sharp, and the sounds are crystal clear. Highly recommended.
64 Lynch in coherent, life affirming mode - no circus freaks
A tough gig, you would have thought, watching a film about an old geezer who drives his lawnmower halfway across the USA to see his long lost brother. Especially if directed by David Lynch. But he pulls it off, and then some. This is one of the most coherent, positive films I've seen in a long while from anyone - it's even more remarkable that David Lynch directed it, hard on the heels of his celebratedly unfathomable "Lost Highway".
For all its difference in outlook, like Wild At Heart and Lost Highway it's an unshamed road movie. Rather than carrying the story, though, here the road (literally and figuratively) IS the story: sweeping shots of the road, the headlight view, turning wheels, highways of corn, rivers of rain down the window and even the the dead straight path of the sun in the late afternoon sky reinforce this idea of an inevitable, pre-ordained journey, which Alvin (the old buzzard on the lawnmower) personifies.
With a beautifully framed sense of fatalism, Lynch takes the ostensibly absurd and makes complete sense out of it: tripping from Iowa to Wisconsin on a lawnmower isn't, you might think, the most commonsense thing to do, but in the context it's the right thing to do; it's the inevitable thing to do - and if you analyse it, it's no more pointless than a lifetime spent smoking and contracting emphysema, or for that matter not speaking to your own brother for ten years - both of which Alvin (and half the rest of us) are guilty of anyway.
The characterisations of the supporting cast are incredibly humane and real - in place of Lynch's usual cast of misfits and weirdoes, Alvin encounters a succession of decent, Middle American folk, who do decent things, whilst giving Alvin the intermittent opportunity to share some hoary old pearls of wisdom, and confront one of two of the demons in his past. This aspect could have easily devolved into sordid sentimentality, but Lynch handles it very deftly indeed. The same could have been true of the final scene, but (without giving away too much), it is done with a beautiful lightness of touch, and it left me with that all-too-rare sense of complete satisfaction as the credits rolled. This is an outstanding movie.
65 Atypical Lynch Still At His Best
It was impossible to watch this film without thinking of Richard Farnsworth's suicide in Oct 2000 (due to the pain of bone cancer). Farnsworth plays an aged & determined man who travels on his own terms to visit his brother who fell ill. A brother he hadn't spoken with since 10 years because of an alcohol induced argument.
This is a film about the lifetime of human experiences. Its running themes include: the haunting & unforgiving nature of memory; simple reflections on living, loss & regret, and especially the strength of will & reconciliation.
Sissy Spacek is remarkable as Rose, Alvin's mentally challenged (?) daughter & impossible to ignore, especially in the scenes when she longingly looks out the window.
David Lynch admirers might miss his usual focus on the unusual, however it's evident that he is, in fact, behind the camera. For eg, the way some of the scenes close completely & the next opens; the scenes with the ball rolling & how those were filmed; and especially Alvin's encounter with the distressed driver.
A truly one of a kind film from beginning to beautiful end (`Yes I did'). Silence can say so many words.
It should pull the heart strings of anyone - I would hope.
66 Kevin Spacey?
The year "The Straight Story" came out, Kevin Spacey was chosen over Richard Farnsworth for the "best actor" Oscar. In my opinion, though, Richard Farnsworth's performance was much better in many ways. His character depth is sensitive and heartwarming. There are many moments of this movie in which Farnsworth's character, Alvin Straight, nearly moves me to tears. It is the touching story of a man brimming with experience, wisdom, love, and driving determination. It is inspiring and positive. It's a bit slow-paced, on the down-side. That's the only problem I have with it, though. This is one of my favorite movies of all time. Buy it.
67 A Modern Masterpiece
Unbelievably good considering it is such a simple film in a well-worn genre. David Lynch proves he can be one of the all-time great directors if he wants to be. And it features a salvation theme that will have devout Christians looking for a Christ figure. The ending is perfect too. Heck, this is a masterpiece.
68 Adreno-crazed speed frenzy
'High concept' is a term usually used to describe blockbuster films with plots that can be summarised in one line, preferably five words long. 'Old man drives lawnmower to meet striken brother' sums up 'The Straight Story', but doesn't really do it justice. Basically a long meditation on growing old, it's a slow-moving road movie that nonetheless remains riveting from start to finish, like a cross between 'Koyaanisqatsi' and 'Wild at Heart'. It's also the only film in which Harry Dean Stanton looks relatively young. Richard Farnsworth's performance in the lead role is excellent and understated, although it's hard to separate the character from Farnsworth (who was suffering from terminal cancer, and who took his own life shortly after the film was released) himself. Faults? Lynch keeps his surrealistic instincts in check most of the time, but they burst out in a pointless scene with a woman who keeps crashing her car into deer. And a later scene, in which Farnsworth walks into a bar and has a beer and some emotional catharsis, seems a bit abrupt and contrived. But that's just being mean. This a great film, one well worth seeing, with a superb soundtrack from Angelo Badalamenti. It harkens back to a short period in the very early-70s when Hollywood produced low-budget, small-scale gems, and gives you faith in cinema again. If there is a cinematic opposite of 'New Jack City', this is it. As for the DVD, you just get a trailer and subtitles, and it's in proper widescreen. The dark bits - and there are quite a few dark bits, as the film takes place partly at night - are sometimes a bit jagged and blocky, but the picture and sound are otherwise fine.
69 Simple, Amazing Beauty
Simply put this film is a beautiful slice of life. There is nothing flashy here but at the end you'll hopefully feel moved and very fufilled. I did.
70 Almost perfect
the film is perfect. The DVD is not. I bought from Canada and it not in widescreen format. It's in a poor full ratio one.
71 Straight Up......
"The Straight Story" is a fantastic mood generator, and David Lynch does an awesome job of casting a magical spell upon your soul as you melt in the breathtaking visuals of midwestern landscapes, and are soothed by the score of Angelo Badalemente. The acting by Richard Farnsworth is brilliant and heart-wrenching to watch (knowing he was in extreme pain while filming this, and then later taking his own life). The Straight Story is a mellow movie that is great to unwind and relax to. It's a peaceful journey with an important message at the end of the ride. Unconditional family love.
72 A truly good movie
I know the title for this review sounds pretty underwhelming, but I want to stress how much weight the word 'good' means in this case. 1999 gave the audience a troughful of preachy feel good and pretentious message-movies, but 'Straight Story' was the only film that was 'good'. No agenda's or convulated plots, just a simple story of a man and his journey.
'Straight Story' is good for so many different reasons. David Lynch is one of my favourite directors, so I am pretty biased in calling him a genius, but this film truly puts his artist's vision on full display. Though much more 'mainstream' (although how could one ever give this label to Lynch) than his other films, 'Story' contains many elements which definately mark this work as his own. Fascinatingly bizarre (yet strangely real and familiar) characters, often odd camera angles and weird dialogue all inhabit this film.
Performances by the late Richard Farnsworth and Sissy Spacek are so flawless and dead-on real that they can't even be called performances. Farnsworth is especially touching in the poignant role of Alvin Straight, and I believe will long be remembered to be his best role.
Of course, what would a post-'Elephant Man' Lynch film be without the music of Angelo Badelementi? Although quite different from his past masterworks for 'Twin Peaks' and 'Lost Highway', the music he composes still remains beautiful and haunting, a great companion to the visuals Lynch creates.
Some people may feel that this film was stiffed at the Oscars. Heck, I'm glad it wasn't nominated for more. Those statuettes could do nothing but tarnish the true gold found in this movie.
73 A wonderful, no-frills movie
In this movie an old man, Alvin Straight, hears that his brother in Wisconsin has suffered a stroke. The brothers had had an argument 10 years ago and had not spoken since. Alvin decides that he will travel to see his brother on the only mode of transportation at his disposal, a lawnmower. The story is of his journey, both physical and emotional, towards a reconciliation. This is a simple, but poignant movie. When Alvin reminisces about childhood memories we have only his words, not a visual flashback. Along the way Alvin encounters many kind people who help him when he has the inevitable problems of a 300 plus mile trip on a lawnmower. He refuses offers of a ride by more speedy transportation, preferring instead to make his journey alone and unaided. Alvin is played to perfection by Richard Farnsworth whose facial expressions and measured words communicate a world of emotion. Sissy Spacek is very believeble as Alvin's mildly retarded, speech-impaired daughter. This is a real tribute to family values and the strength of the human spirit.
74 GREAT MOVIE!!
This gets my vote for one of the best Movies. BUT I give the movie 3 stars like someone else I saw. simply because of the DVD.
It's SO DAMN exspensive and it still has some of the sound problems that the VHS had! I was hoping that the sound would have been cleared up from the vhs but no it hasn't.
THIS IS A FANTASTIC film. BUt they could have had at least a little documentry about the real Alvin Streaight
They could have had some bio's or making of. or just took some pictures of where they shot. I respect Lynches reason for not putting a chapter skip but c'mon! He just could have put more to the dvd! This film needs to be put under the 100 best movies though. and the only reason I can say to buy the dvd is to have a widescreen version of the film.. but other then that I guess you really should go get vhs.
75 Oh My Goodness!
This film had me on the edge of my seat the entire time. No kidding. I felt so many different emotions while watching this movie. I was scared, saddened, enlightened and thrilled all at the same time. Don't let slow appearance and Disney association fool you. Richard Farnsworth, struggling with cancer at the time of filming, puts on a superb performance. He definitely left this world on a high note. There are no dissappointments in this David Lynch film.
76 One Man?s Journey to the End of the Road
Apart from simply implying that the film is the story of Alvin Straight, the title, "The Straight Story" is also a colloquial reference to Lynch's crystal clear vision. That, appropriately is where all irony ends. The Straight Story is not a film of metaphors or symbols, although the journey of a stubborn man across 370 miles to see his ailing brother, his encounter with a wide variety of folk has been construed as some sort of fable. Lynch, always one to expose the rot the lies beneath the picket fences, has a filmography that would encourage such an interpretation. The story here, from all angles is that of a man and his mower, and ofcourse everything in his long life that has led to this momentous journey.
Richard Farnsworth was nominated for best actor in a leading role, and lost. Perhaps that was appropriate. There is a certain falsehood in the word "performance". He wears the sorrow and the joy of some 70 odd years on his face. Unlike many movies about or featuring elders, the film doesn't presume him to be some ubiquitous fountain of wisdom. He is honest, and whatever wisdom he has was hard earned. The worst thing about being old he tells a somewhat hyper cyclist he meets on the road is "remembering when you were young". Maybe a better accolade for Farnsworth is people's inability to describe how he is in the film. An expression, that seems to emulate from whatever soul human beings have, is worn on his face. It says, and affects, more then is feasible to describe.
There was I recall surprise at the kindness of this film. Not just to Straight, but to the strangers he meets on the journey. They are, surprisingly for Lynch, not only sane, but ones I would be glad to run into if I just happened to be travelling on lawnmower. Lynch's fans would recognize that, although seemingly the opposite of the likes of Blue Velvet and Wild at Heart, The Straight Story comes from the same place, the same wordless search for the truth, whether in ugliness, beauty or kindness. In one scene that will be remembered for a very long time: Straight sits with a stranger. They discuss drinking, and from there, the war. There is no music, just brief sounds of battle, but no visuals. Both men experience an unexpected outpour that can only come adventitiously. He remembers those young boys back in the field "I dream of their faces. Sometimes, it's not even my buddies, sometimes its German boys. We were shooting moon-face boys at the end of the war. Every year I live is a year more then they've had". Quietly, this scene dwarfs Spielberg's entire Saving Private Ryan, and Lynch.... I was going to say does it, but rather, he lets it happen with the melancholy in an old man's eyes.
Search if you must but you won't find another film quite like this one. The closest I can think of is Wim Wender's Paris, Texas, another seemingly unaffected film. The elements of The Straight Story are indeed superlative. Angelo Badalementi's score, particularly the twangy violin, soft acoustic guitar of Laurens Walking, is cleansing, mournful, understated. Freddie Francis's photography is breathtaking, but somehow, never overpowers the film. I would call it a masterpiece. But what Lynch and his collaborators have accomplished is a form of cinematic purity that transcends such pedestrian praise. It gains an added measure of poignancy when you consider that Farnsworth took his own life last year in the face of terminal cancer. In the film, a stranger offers to give him a ride to his brother's place. He smiles, thankful and says "I am gonna finish this one my own way". I could never tell exactly why, but his final gaze up at the stars is one of the great moments in cinema.
77 Poignant, simple, and evocative
This movie is an oh so important and pleasant reminder that you don't need to have sex, action, violence, special effects, big budgets, box office draws, or complicated scripts to produce quality. IT'S THE STORY that drives it all. And within is a very powerful one but one without a great deal of dialogue or bravado. In this case it was totally unnecessary.
The only rebuttal I would make to any critics who say that this film moved to slowly is that the director was trying to create a sense of time and distance. That of a life, relationships, regrets and revelations. None of which happen in a moment or are necessarily singular events. Wisdom comes with time and in small increments just as the trip (in the film) demonstrates. So for me the story did not move slowly at all.
If you need to be bombarded with the stupidity and inane activity that occurs in too many Hollywood films today then the Straight Story is definitely not for you. On the other hand if you can appreciate truth, honesty, and the beauty of the human spirit then you will truly revel in The Straight Story.
78 not a reviewer
So I felt compelled to write a review here. Not especially my style. I have little to say except that this will be only the third video I have purchased. Little in film moves me enough to wish to spend money to buy the video. Simply put, this film just makes me happy. The acting is superlative. The story is simple and unencumbered, yet so engaging. And yes, I am one of those people that have grown tired of exploitative sex, violence and language. This film has a way of putting you into an introspective mode. I live in the "Silicon Valley" area. It is expensive and full of self-centered individuals...maybe I have been like that too. So, seeing this film, with all its peace, serenity, and genuineness of story made me think about a greater good (sounds so corny I guess)I might consider for my life. One of more serious concern for those I love. And one side note: The musical score is so beautiful and blends in naturally with the entire film. This is my humble submission to the reviews. Thank you.
79 Count me in with the Lynch mob
Lynch is back in "Elephant Man" territory, telling a straightforward tale about a real-life and sympathetic protagonist's strange adventures. (And, as with "Elephant Man" and the pairing of Lynch's name with producer Mel Brooks, it's disorienting to see Lynch's name here following Walt Disney's.) I wondered, as with the other movie, how Lynch would avoid the inevitable sentimental finish, and, as he did before, he ends this one powerfully by going the opposite way you'd expect.
Farnsworth underplays to the point where you might wonder if he's playing at all, but try to imagine anyone else handling the role better. There are moments when all I remember is his face, particularly those eyes, and those are the most powerful moments of all. (Such a loss.) Spacek is a revelation in a supporting role, and Angelo Badalamenti's lovely score compelled me to buy the CD the next day. This one ain't for the MTV crowd, but for the right viewers, it's a classic.
80 One of Lynch's best
David Lynch returns to simplicity in The Straight Story about a grizzled old man who rides a tractor to visit his ailing brother. The look in Farnsworth's eyes prove he is an actor of great accomplishment. Sissy Spacek gives an Oscar worthy performance as his handicapped daughter. Such a simple movie contrasting with such humanistic issues, all tying in with Lynch's take on American culture, makes The Straight Story easily one of the best films of 1999.
81 A disappointing DVD
The reason I rated this Movie with such a low score had nothing to do with the content or the actual Motion Picture. It is a wonderful story and one of the best Motion Pictures I have ever seen. The reason I gave it just 3 stars was that, for the price, Disney did not put in any extras. There is the "Coming Attractions" and that is all. No biographies of the Actors, No Commentary, Nothing about the Director. For the price, Disney was very cheap. See the Movie and enjoy it. It really is great, but do not expect anything else.
82 Sleep Well
it is conceivable that you will like this movie, though the only way i can imagine that happening is if you a) love lynch; b) are prepared to love anything he puts out; and c) know ahead of time that this is a lynch movie. besides that, i found very little redemption in this movie, after seeing all the rave reviews. Sissy is good, yes, but she plays a marginal role--generally we see the road, the man, and his machine. with background music of course, which dominates the entire film--largely because nothing else is going on. the dialogue seems trite, sometimes beyond corny, and the best thing about the movie is that the long lost brother ends up being stanton. besides that, if you are prepared for a movie in which 2/3's of your time will be spent looking at the broken yellow lines of the highway, as well as a man sitting on a lawn mower looking straight ahead, then you at least know what's in store.
83 Simple Beauty
'The Striaght Story' is just that. The story of a man and his tractor, no hidden agendas. Just a sick brother and the open mid west highways. Alvin Straight goes along his trip with the attitude and doesn't seem to to back down for even the slightest moment. Along the way his simple words change peoples lives in ways most wonderful. This film is simple thats an overall fact at times you even feel bored with interest but the end result is well worth it, this is one of those rare movies that makes you proud you belong to the human race.
84 A Lynch Classic
I am a big fan of David Lynch-movies like Eraserhead and Blue Velvet, both of which have a dark side. So, I am a little surprised that I love The Straight Story, which is a very tender movie about an old man visiting his estranged brother 300 miles away on a riding lawn mower in the upper midwest. Everything about this movie is beautiful-from the shots of the expansive Iowa grain fields, the colorful sunrises (and sets), the small towns, the Mississippi river, to the warm hearted midwesterners who bid the old man well has he slowly travels down the road. And, not to be disappointed by the ending, it has such a peaceful tone that one leaves this movie definitely touched and having a little more optimism about our country and its people. For Lynch fans, there is the signature cinematography and music, which is also terrific, and the close shots he gives us of every day objects in a way that make them seem important. Whether you are "into" David Lynch or not, you will likely enjoy if not love this movie.
85 A COMPLETE suprise!
To be completely honest, I was against the rental of this movie when my wife wanted it a few weeks ago. Here I was wanting to see some action, shoot-em-up type stuff, and my wife wanted to see a guy on a tractor! Over the years of my marriage, there are things that my wife does that constantly remind me of why I married her! I loved this movie and it WILL be sitting on the DVD shelf right along with my testostrone pumpin' favorites! Richard Farnsworth made me BELIEVE in him and his mission to see his brother. I really found myself cheering him on as he crossed the country. A true effort, it's too bad we lost this actor recently. He will be sorely missed. Hollywood needs MORE actors with the genuine nature that this man held! 5-star winner!
86 NOT YOUR USUAL DAVID LYNCH MOVIE
From ELEPHANT MAN to SAILOR AND LULA and from ERASERHEAD to TWIN PEAKS, director David Lynch has written some of the most intriguing pages of modern cinema. So I was a little puzzled after having seen THE STRAIGHT STORY, a movie David Lynch shot in the autumn of 1998 in Iowa and Wisconsin. Apart of the first travelling of the movie and an accident scene shot in a subjective manner through Alvin's eyes, the movie adopts a very classic form. Obviously, David Lynch didn't want us to be distracted from the story he chose to film.
Now, is there any substance in this story of an old man deciding to visit his brother by driving an unusually slow vehicle ? Of course, yes. The theme of the redemptive trip can been found in thousand of books and naturally in most of the road movies shot since the sixties. But, in my opinion, what makes THE STRAIGHT STORY strange and truly original is Alvin's idea that if he can make it, his brother will be still alive on his arrival. The trip is not only redemptive for Alvin and his conscience, it is also magic. And I'm intimately convinced that this is the theme which has seduced David Lynch, mystic among the mystics.
Sissy Spacek proves once more that she is a very talented actress in THE STRAIGHT STORY and the only reason I give only three stars to this movie is that I would have liked a little more madness in the treatment of this unusual story.
Be advised that this review is about the DVD zone 2 I've bought at Amazon.fr. A french dubbed version and french subtitles as bonus features as well as an interview with David Lynch one cannot find on the DVD zone 1.
A - carpe diem- DVD.
87 Delightful
This movie is truly delightful. It is so very gentle as it rolls through the American landscape oh so slowly along with the lawnmower. For some people it may feel too long and drawn out, and the end never seems to be in sight, however it is not really the end that is important is the journey which is captivating. If you are looking for a faced paced movie, I suggest you look somewhere else, but if you like to get to know characters in a movie, this is the one for you!
88 Midwestern Western
I didn't notice until the second time I watched it (on this beautiful DVD), but this film is a Midwestern Western: the old cowboy taking his last ride across the land that he loves, meeting up with regular folks and conversing in simple, pithy dialogue, sharing their commonality and then moving on.
89 David Lynch's Destined Masterpiece
With 'A Straight Story' David Lynch has redeemed himself forever. No matter what I thought or said about his previous (and probably subsequent)work, he has more than made up for it. 'The Straight Story' is so pristine, so miraculously genuine, that it doesn't seem to be the work of the man who brought us 'Blue Velvet.' Lynch seemed to be striving to outdo David Cronenberg in his fascination with sickos and his attention to the bizarre just around the corner from the everyday. He has managed, with 'A Straight Story,' to finally make The Great American Movie.
90 What the hey?
Hard to believe this movie came from the same mind that gave us "Eraserhead" and "Blue Velvet", but then again maybe not. This is the story of an old man traveling 350 miles to see his estranged brother. On a rider lawn mower. That's it. That's the plot and it will either emotionally move you, or bore you. I highly recommend it to those who are looking for something more from a movie than car chases and explosions. If you're the kind of movie viewer who will spend your time wondering why the old dude didn't just take a bus, then stay away. Beautiful and subtle cinematagraphy and acting. The only critcism I might have is a couple of the acting performances, but Richard Farnsworth is the main man here and he should have received more attention than he got for this roll.
91 "The Straight Story"
If you read the editorial review and the many customer reviews for this movie, all will tell you the same, "great story, great acting, great directing - great movie." By no means, do I disagree with anyone who feels this is a great movie. But instead of writing about what everyone already knows, which is, that this is a wonderful film, I would like to point out the two unforgettable men of this film - Alvin Straight and Richard Farnsworth. Alvin Straight gave us this story. He gave us a story of courage, perseverance, wisdom, and forgiveness. Alvin's story made me wish I knew him personally. It made me wish I was one of those fortunate people that he met during his journey. Richard Farnsworth gave us Alvin. Again, everyone agreed that Richard Farnsworth's portrayal of Alvin was impeccable, and it truly was. But to me, I do not believe that Mr. Farnsworth solely resorted to his acting abilities for this portrayal. I believe he identified with Alvin's physical and emotional trials, since Mr. Farnsworth, himself, was suffering from a terminal illness. And like Alvin, Mr. Farnsworth forged on through the pain. He gave a flawless performance and completed his last film. In many ways, Mr. Farnsworth was giving us himself while he was giving us Alvin. To sum it up, "The Straight Story" went straight to my heart, as it did with every person who witnessed this extraordinary film.
92 Not the masterpiece I expected
I purchased this movie "sight unseen" because I had seen previews and had read a little about it here. While I think Richard Farnsworth did a beautiful acting job, and it is certainly a breath of fresh air from some of the films that are out and about today, I was disappointed that it did "grab me and take me in". While I thought Farnsworth's acting was great, as usual; I've seen Sissy Spacek put in more effort in other films, but there were parts of this film that dragged along and there were a few scenes, when he had set up his trailer/tent in the back yard of the folks who help him when the tractor breaks down, that didn't make sense. The scenes were filmed far away and though the actors were talking you couldn't make out what they were saying. I suppose these scenes had their purpose in the movie, but I found them annoying. Also some of the scenes ended quickly and strangely as though it was cutting to a commercial (as you would see on television--fade to black). Overall, though, the message got through and it was an inspiring film. Richard Farnsworth deserved an award for his performance. I just don't think there is anything in there that reaches out and embraces you. Even the several scenes that showed the country side were a little boring (rows and rows of wheat fields (?). Even the scenes where he gazes at the stars looks unreal (too many stars) and you could tell some of them were laid over top another field of stars. I agree with another reviewer that the musical score was not up-to-par either. It's not something I really would want to watch again and my teenagers both thought it was a "little boring". I agree.
93 Heartwarming
My family greatly enjoyed this simple and heartwarming movie. It isn't often you can sit down and watch a movie as a whole family in today's world. This is a wonderful story of love for family and finding a way to heal old wounds without lengthy and wasteful dialog. It is amazing that this movie was made in today's hollywood where sex, violence, and car chases take precidence over a great story line. Richard Farnsworth is magical and shows us what acting is all about.
94 An Amazing Accomplishment
A surprise and a total shock coming from David Lynch; a director who has, in my humble opinion, disappointed me more times than not. "The Straight Story" is simply the best film made in the last decade and will one day finally be regarded as the masterpiece it truly is. How Disney could have bungled the marketing of this great film is beyond reasoning. It is rated G but is no more of a "family" film than "The Tigger Movie" could be considered porn. Children could never understand its deliberate pacing and complex emotional core of patience and moral responsibility. By the end of the film I was choking back tears and so moved I could hardly get out of my seat. Richard Farnsworth and Sissy Spacek give performances that make you remember what acting on film used to mean. Please do yourself a favor and watch it somewhere quiet with no interference so that you may listen and savor this extraordinary movie. There will not be any more like it for many, many years.
95 Understated Brilliance
Richard Farnsworth's recent death is a tragic loss, a point driven home when viewing this wonderful story. Pace? As slow and relaxed as the lawnmower he rides. Plot? As simple, pithy and sweet as life itself. 5 Stars? Watch Mr. Farnsworth's performance -- or to be precise, see what is NOT there to clutter it up -- and you'll wish you had a sky full of stars to award.
(And for you parents out there -- while this is not lightweight fare, with its adult themes of forgiveness and reconciliation, we watched it with our 8- and 9-year olds, and they gave it a thumbs up, too. It's not cute, and there's no carchases or explosions, but it is magical.)
96 Two hours of my life wasted
Well, I'd heard good things about this film and seen some very interesting advertising ... The potential for this film seemed good.
It's already available on DVD here in the UK, so I hired it, and was only too pleased to be able to give it back. How anybody can rave about a film that spends two hours showing a bloke on a lawnmower, with NO comedy sub-plots, very little humour and a REALLY irritating tune that plays through the entire film, well, I guess I can understand why the mental health institutions are still well stocked.
I also made the mistake of inviting my family round to watch the film (my father had expressed an interest) ... Needless to say they've declined every offer since ...
Save your money, sanity and two hours of your lives and watch paint dry instead ... I only gave this film one star because Amazon don't allow negative values.
97 A quiet, pensive, thoughtful film.
This film was really all about family, what it means (or should mean) and what you should be willing to do to get it back. Alvin sets out to visit his estanged brother over 300 miles away on a lawnmower - the only vehicle he can drive - taking him over a month to cover the distance.
I suppose he wanted to get there his own way, and perhaps to show his brother just how much making up meant to him. It would be very easy to hop on a bus and make an effort, but that wouldn't exactly require 100% commitment, would it? Alvin is obviously out to prove something, to his brother, to himself, and to the world.
Along the way he meets various people. He helps some, is helped by others, and simply reminisces with yet more. As he goes along, you get to know him as a gentle, kind old man, with watery eyes and a penchant for wieners. Richard Farnsworth does a great job in this role, and is very convincing. Sissy Spacek is also good , she plays a slightly retarded and troubled daughter.
You can tell that this is a true story from the way Alvin's quest to visit his brother has a false start. That kind of thing only happens in real life, if this was a script, a writer would have smoothed that kink out right from the start.
Lynch, the Director, does a good job in portraying the vast expanse of the distance that Alvin has to cover, but I thought he could have done better at giving an indication of how long the journey took. There were lots of shots of Alvin chugging along, but you didn't know if they were all in the same day or week or month or what - thus the dropped star.
Overall, this is a very nice film, one for a cold night in, relaxing by the fire.
98 a beautifully told story
This really is a beautiful story, and who better to tell it than David Lynch. The lead, played by Richard Farnsworth, could not possibly have been better casted. The acting, the cinematography, the music and all of the elements that come together to make a great movie are here. While the idea of "Lynch gone Disney" has scared a lot of his avid fans away, he did an incredible job; the film does contain a few quirky Lynch moments too.
99 A wonderful uplifting story
Straight story is a true story of one elderly man's passion and perseverance. He longs to see his estranged brother but his only means of transport is a lawnmower and his brother is far away even by car.
The interaction of this fellow with his shocked neighbors and townspeople is amazing and the story as warm and sweet as any film in recent memory. enjoy!
100 A Sleeper
In the movie business, a sleeper refers to a film that is not well known, but turns out to be a great film to see. The story talks about relationships in the family. It is so uplifting to see the desire to become close again after a rift has occurred in the family. I loved watching the main character drive the lawn mower because I tried to picture myself doing that, and I don't think I'd be quite as brave. But he was determined to see his brother, and he did whatever he had to do to make it happen. My husband refuses to go to movies because he said he doesn't need to pay to fall asleep. We decided, however, to go with friends to see this incredible movie. I was touched to see my husband not only stay awake, but have tears in his eyes. It is my husband's favorite movie. I recommend it wholeheartedly. It'll make you feel good.
